Month: May 2008

  • Alethiometer:

    "Caught up 
        in circles..."

    -- Song lyric,  
    Cyndi Lauper

    http://www.log24.com/log/pix08/080525-Alethiometer.jpg

    Alethiometer from
    "The Golden Compass"

    The 64 hexagrams of the I Ching in a circular arrangement suggested by a Singer 63-cycle

    The I Ching
    as Alethiometer

    Update:

    See also this morning's
    later entry, illustrating
    the next line of Cyndi
    Lauper's classic lyric
    "Time After Time" --
    "... Confusion is    
      nothing new."

  • Memorial:

    Time After Time

    From the five entries ending
    on St. Bridget's Day, 2008:


    Dana R. Wright on James Edwin Loder, Jr.--

    "At his memorial service his daughter Tami told the story of 'little
    Jimmy,' whose kindergarten teacher recognized a special quality of mind
    that set him apart. 'Every day we read a story, and after the story is
    over, Jimmy gets up and wants to tell us what the story means.'"

    "I confess I do not
     believe in time."
    -- Nabokov, Speak, Memory

    From May 20:
    "Welcome to the
    Garden Club, Pilgrim."


    Related material:

    Primitive Roots
    and a video from
    Perth, Australia:

    Video remix of Alice in Wonderland from Perth, Australia

    "The drum beats out of time"
    -- Song lyric, Cyndi Lauper  

  • Saints in Australia:

    Happy St. Sarah's Day
    (May 24)

    "...something I once heard
    Charles M. Schulz say,
    'Don't worry about
    the world
    coming to an end today.
      It's already tomorrow
    in Australia.'"

    -- William F. House, 
    quoted here on Australia's
    St. Bridget's Day, 2003

    'Strictly Ballroom' video

    Click on image to view video.

  • Annals of Philosophy, continued:

    The Idea
    of Identity

    "Philosophers ponder the idea
     of identity: what it is to give
     something a name on Monday
     and have it respond to 
      that name on Friday...."

    -- Bernard Holland 

    Linked to on
    Monday, May 19
    :

    Conclusion of the film 'Analyze That'

    Conclusion of "Analyze That" --

    "There's a place for us...."

    New York Times
    on Friday, May 23:

    "A poem should not mean
    But be"

    -- Archibald MacLeish,
    quoted in a Friday comment
    on a Thursday night column
    by Rosanne Cash

    Thursday evening photo
    by Josh Haner for Friday's
    online New York Times:

    http://www.log24.com/log/pix08/080522-Bridge2.jpg

    Brooklyn Bridge Turns 125

  • Mathematics and Narrative, continued:

    For Indiana Jones
    on Skull Day

    Cover of Hamlet, Revenge! by Michael Innes

    841: Dublin founded by
            Danish [?] Vikings

    9/04: In a Nutshell: The Seed

    (See also Hamlet's Transformation.)

    Hagar the Horrible and NY Lottery for Thursday, May 22, 2008: Midday 841, Evening 904

    The moral of this story,
     it's simple but it's true:
    Hey, the stars might lie,
     but the numbers never do.

    -- Mary Chapin Carpenter  

  • ART WARS continued--

    The Undertaking:
    An Exercise in
    Conceptual Art

    I Ching hexagram 54: The Marrying Maiden

    Hexagram 54:
    THE JUDGMENT

    Undertakings bring misfortune.
    Nothing that would further.

    The image “http://www.log24.com/log/pix08/080522-Irelandslide1.jpg” cannot be displayed, because it contains errors.

    "Brian O'Doherty, an Irish-born artist,
    before the [Tuesday, May 20] wake
    of his alter ego* 'Patrick Ireland'
    on the grounds of the
    Irish Museum of Modern Art."
    -- New York Times, May 22, 2008    

    THE IMAGE

    Thus the superior man
    understands the transitory
    in the light of
    the eternity of the end.

    Another version of
    the image:

    Images of time and eternity in memory of Michelangelo
    See 2/22/08
    and  4/19/08.


    Related material:

    Michael Kimmelman in today's New York Times--

    "An essay from the '70s by Mr. O'Doherty, 'Inside the White Cube,'
    became famous in art circles for describing how modern art interacted
    with the gallery spaces in which it was shown."

    Brian O'Doherty, "Inside the White Cube," 1976 Artforum essays on the gallery space and 20th-century art:

    "The history of modernism is intimately framed by
    that space. Or rather the history of modern art can be correlated with
    changes in that space and in the way we see it. We have now reached
    a point where we see not the art but the space first.... An image comes
    to mind of a white, ideal space that, more than any single picture,
    may be the archetypal image of 20th-century art."

    An archetypal image

    THE SPACE:

    The Eightfold Cube: The Beauty of Klein's Simple Group

    A non-archetypal image

    THE ART:

    Jack in the Box, by Natasha Wescoat

    Natasha Wescoat, 2004
    See also Epiphany 2008:

    How the eightfold cube works

    "Nothing that would further."
    -- Hexagram 54

    Lear's fool:

     .... Now thou art an 0
    without a figure. I am better
    than thou art, now. I am a fool;
    thou art nothing....

    ".... in the last mystery of all
    the single figure of what is called the World goes joyously dancing in
    a state beyond moon and sun, and the number of the Trumps is
    done.  Save only for that which has no number and is called the
    Fool, because mankind finds it folly till it is known.  It is
    sovereign or it is nothing, and if it is nothing then man was born
    dead."

    -- The Greater Trumps,
    by Charles Williams, Ch. 14

    * For a different, Jungian, alter ego, see Irish Fourplay (Jan. 31, 2003) and "Outside the Box," a New York Times review of O'Doherty's art (featuring a St. Bridget's Cross) by Bridget L. Goodbody dated April 25, 2007. See also Log24 on that date.

  • Mathematics and Narrative, continued:

    The China Candidate

    In honor of the 100th
    birthday of actor
    James Stewart,
    Turner Classic Movies
    is now showing

    The Man Who Shot
    Liberty Valance.

    In light of an
     ABC News
    story tonight,

    Report: U.S. Soldiers
    Did 'Dirty Work' for
    Chinese Interrogators
    ,

    the following film
    seems more relevant:

    Welcome to the
     Garden Club, Pilgrim

    http://www.log24.com/log/pix08/080520-GardenClub2.jpg

    Related material:

    The Dictatorship of Talent,
    by David Brooks in
    The New York Times
    of December 4, 2007:

    "When you talk to Americans, you find that they have all these weird
    notions about Chinese communism. You try to tell them that China isn’t
    a communist country anymore. It’s got a different system: meritocratic
    paternalism. You joke: Imagine the Ivy League taking over the shell of
    the Communist Party and deciding not to change the name. Imagine the
    Harvard Alumni Association with an army."
    and Harvard mathematician

    Professor Yau of Harvard

    See also Sylvia Nasar's 2006
    New Yorker article on Yau
    and the screenplay of
    The Manchurian Candidate:

    A long pause.
    Finally, Yen Lo laughs.

    YEN LO
    With humor, my dear Zilkov.
    Always with a little humor.


  • Annals of Ecstasy, Part II:

    The Unembarrassed Peddler

    (For readers of
    the previous entry
    who would like to
    know more about
    purchasing the
    Brooklyn Bridge)


    From yesterday's New York Times, in an obituary of a teacher of reporters:

    "He was a stickler for spelling, insisting that students accurately
    compose dictated sentences, like this one: 'Outside a cemetery sat a
    harassed cobbler and an embarrassed peddler, gnawing on a desiccated
    potato and gazing on the symmetry of a lady's ankle with unparalleled
    ecstasy.'"

    Spelling Your Way
    To Success

    Chapter I:
    "gnawing on a  
      desiccated potato"

    From the website
    Blue Star Traders:

    How the ancient crystal skull Synergy came to the Western World...

    This skull first came to light when it was acquired about two and a half decades ago by a European businessman and avid hiker, as he traveled around Central
    and South America.  He acquired the skull from a very old native man,
    in a tiny village in the Andes, near the borders of Peru, Bolivia and
    Chile. He was just passing through, and had come upon the small
    settlement while looking for a place to stay for the night.  He
    wandered into the village and was greeted with smiles and an invitation
    to share a meal.

    This
    gentleman, George, speaks several languages, and he usually has at
    least a few words in common with most of the people he meets in his
    travels-- enough to get by, anyway.  Although he didn't speak the same
    language as most of the people in this isolated village, there was an
    instant connection between them, and they managed with the smattering
    of Spanish and Portuguese that a few of them knew. In need of shelter
    for the night, George was offered a spot for his sleeping bag, near the
    fire, in the dwelling of an elderly man.

    After
    a peaceful evening in the old man's company, George gratefully accepted
    a simple breakfast and got ready to take his leave.  As he thanked the
    man for his generous hospitality, the elder led George to an old chest.
    Opening the crumbling wooden lid, he took out the crystal skull,
    touched it reverently, and handed it to George.  Awed by an artifact of
    such obvious antiquity, beauty and value, yet uncertain what he was
    expected to do with it, George tried to hand it back.  But the old man
    urged it upon him, making it clear that he was to take it with him. 

    Curious
    about the history of such a thing, George tried to find out what the
    villagers knew about it. One young fellow explained in halting Spanish
    that  the skull had come into the possession of a much loved Catholic
    nun, in Peru.  She was quite old when she died in the early 1800's, and
    she had given it to the old man’s "Grandfather" when he was just a boy.  (Note: It's hard to say if this was really the man's grandfather, or
    just the honorary title that many natives use to designate an ancestor
    or revered relative.)  The nun told the boy and his father that the
    skull was "an inheritance from a lost civilization"
    and, like the Christian cross, it was a symbol of the transcendence of
    Soul over death.  She said that it carried the message of immortal life
    and the illumination that we may discover when we lose our fear of
    death.  She gave it to the boy and his father, asking them to safeguard
    it until the "right" person came to get it-- and share its message
    with the world.  It had been brought to that land from "somewhere else"
    and needed to wait until the right person could help it to continue its journey. "Your heart will know the person," she said. 

    "What a strange story," thought George.

    From elespectador.com:

    "... 'Supercholita'  tiene sobre todo una clara vocación divulgadora de la
    cultura andina. No en vano Valdez recibió su primer premio por explicar
    mediante este personaje cómo se cocina el 'chuño,' una típica patata
    deshidratada muy consumida en el altiplano boliviano."

    Chapter II:
    "gazing on the symmetry
     of a lady's ankle"

    From "Sinatra: A Man
    and His Music, Part II"
    (reshown. prior to
    "It Happened in Brooklyn,"
    by Turner Classic Movies
    on Sunday, May 11, 2008):

    "Luck, be a lady tonight."

    From wordinfo.info:

    astragalo-, astragal-
    (Greek: anklebone, talus ball of ankle joint; dice, die [the Greeks made these from ankle bones])

    astragalomancy, astragyromancy
    Divination
    with dice, knuckle bones, stones, small pieces of wood, or ankle bones
    which were marked with letters, symbols, or dots. Using dice for
    divination is a form of astragalomancy.
    Chapter III:
    "unparalleled
    ecstasy"


    Bright Star --

    ... Todo lo sé por el lucero puro
    que brilla en la diadema de la Muerte

    -- Rubén Darío  

    Bright Star and Crystal Skull

    Image adapted from
    Blue Star Traders


    Related material:

    The New York Lottery
      mid-day number yesterday--
    719-- and 7/19.

  • Annals of Ecstasy:

    Special to The Brooklyn Eagle--

    The Cobbler, the Peddler,
    and the Cemetery

    Today's New York Times, in an obituary of a teacher of reporters:

    "He was a stickler for spelling, insisting that students accurately
    compose dictated sentences, like this one: 'Outside a cemetery sat a
    harassed cobbler and an embarrassed peddler, gnawing on a desiccated
    potato and gazing on the symmetry of a lady's ankle with unparalleled
    ecstasy.'"

    Related Material:

    Don Ameche and Joe Mantegna in 'Things Change'

    and

    "There's a place for us."

  • An Academy Award:

    Happy May 18, Reba

    For the host of tonight's
    Academy of Country Music Awards:

    Map of Appalachia

    "Well now what can I say
    at the end of the day?"
    -- Country song lyric 

    Und was für
    ein Bild des Christentums 
    ist dabei herausgekommen?

    _______________________________

    "How'd yuh know deh was
    such a place," I says, "if yuh neveh
    been deh befoeh?"

        "Oh," he says, "I got a map."

        "A map?" I says.

        "Sure," he says, "I got a map
    dat tells me about all dese places.
    I take it wit me every time
    I come out heah," he says.

        And Jesus! Wit dat, he pulls it out
    of his pocket, an' so help me,
     but he's got it-- he's tellin'
     duh troot--  a big map of
         duh whole f_____ place...."

    -- Thomas Wolfe of
     Asheville, North Carolina