June 9, 2006
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Ursprache Revisited
“Rilke’s poems operate at this balancing point between openness and
closure, between centripedal and centrifugal motion, the poem being all
symbol and being all object. Rilke developed the inwardness of
poetry begun in Baudelaire and refined in Mallarmé into new depths of
self-referentiality. Verinnerlichung was the term for this transmutation from outer to inner….”— Rainer Maria Rilke: Life and Work,
by Jeremy RobinsonRelated material: Herbert Silberer on Verinnerlichung in Problems of Mysticism and the Log24 entry Figures of Speech
of 10 AM Wednesday, June 7– the date of death of theatrical agent
Howard Rosenstone. See also the work of playwrights Donald Margulies and William Finn, clients of Rosenstone.For Margulies, see a review of “Brooklyn Boy”–
“It’s
like stringing beads on a necklace. By the time the play ends, you have
the whole necklace. But it’s not like a typical play, where you know
where you’re going at the end of Act I. In this case, you’ll learn
something in one scene that will make you realize Eric was lying in a
previous scene. And the play is partly about the lies we tell
each other, the lies we tell ourselves and the identity we project to
other people.” — Actor Robert Gomes
For Finn, see
circle-in-the-square.com.“Finn, again!“
– James Joyce
