﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>m759's Xanga</title><link>http://m759.xanga.com/</link><description>Latest Xanga weblog from m759</description><language>en-us</language><ttl>60</ttl><image><title>The Weblog Community</title><url>http://s.xanga.com/images/xangalogobutton.gif</url><link>http://m759.xanga.com/</link></image><item><title>Log24 Has Moved</title><link>http://m759.xanga.com/714784232/log24-has-moved/</link><guid>http://m759.xanga.com/714784232/log24-has-moved/</guid><pubDate>Sun, 18 Oct 2009 23:00:00 GMT</pubDate><description>New posts and archives for Log24&lt;br&gt;are now at &lt;a href="http://m759.net/wordpress/" rel="nofollow"&gt;m759.net/wordpress/&lt;/a&gt;.&lt;br&gt;&lt;br&gt;</description><comments>http://m759.xanga.com/714784232/log24-has-moved/#firstcomment</comments></item><item><title>ART WARS for St. Luke's Day:</title><link>http://m759.xanga.com/714757431/art-wars-for-st-lukes-day/</link><guid>http://m759.xanga.com/714757431/art-wars-for-st-lukes-day/</guid><pubDate>Sun, 18 Oct 2009 14:00:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;b&gt;&lt;a href="http://www.nytimes.com/2009/10/16/opinion/16dutton.html?pagewanted=all" rel="nofollow"&gt;A Sermon from Christchurch&lt;/a&gt;&lt;/b&gt;&lt;br&gt;in &lt;i&gt;The New York Times&lt;br&gt;&lt;/i&gt;&lt;br&gt;Related material:&lt;br&gt;&lt;br&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=8%2f14%2f2009+23%3a59%3a59.999"&gt;Zen and the Art&lt;/a&gt;&lt;br&gt;and&lt;br&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=9%2f5%2f2009+23%3a59%3a59.999"&gt;For the Burning Man&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714757431/art-wars-for-st-lukes-day/#firstcomment</comments></item><item><title>Noncontinuous Groups:</title><link>http://m759.xanga.com/714629995/noncontinuous-groups/</link><guid>http://m759.xanga.com/714629995/noncontinuous-groups/</guid><pubDate>Fri, 16 Oct 2009 14:30:00 GMT</pubDate><description>&lt;a href="http://finitegeometry.org/sc/gen/noncon.html" rel="nofollow"&gt;A page with this title&lt;/a&gt; has been added to my finite-geometry site.&lt;br&gt;&lt;br&gt;(For the first version of that site, see a web page &lt;a href="http://web.archive.org/web/20000815214136/http://m759.freeservers.com/" rel="nofollow"&gt;cached on August 15, 2000&lt;/a&gt;; compare with Ivars Peterson's August 28, 2000, column "&lt;a href="http://www.maa.org/mathland/mathtrek_8_28_00.html" rel="nofollow"&gt;Scrambled Grids&lt;/a&gt;." These pieces are clearly intended for two different audiences, but there is a certain similarity in the subject matter.)&lt;br&gt;&lt;br&gt;</description><comments>http://m759.xanga.com/714629995/noncontinuous-groups/#firstcomment</comments></item><item><title>ART WARS:</title><link>http://m759.xanga.com/714488919/art-wars/</link><guid>http://m759.xanga.com/714488919/art-wars/</guid><pubDate>Wed, 14 Oct 2009 12:29:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;font size="5"&gt;&lt;b&gt;Singer 7-Cycles&lt;/b&gt;&lt;/font&gt;&lt;a href="http://finitegeometry.org/sc/24/MOG.html" rel="nofollow"&gt;&lt;br&gt;&lt;br&gt;&lt;img alt="Seven-cycles by R.T. Curtis, 1987" src="http://www.log24.com/log/pix09A/091014-7-CyclesByCurtis.jpg" border="0"&gt;&lt;/a&gt;&lt;a href="http://finitegeometry.org/sc/pg/dt/gentheog.html" rel="nofollow"&gt;&lt;br&gt;&lt;br&gt;&lt;img alt="Singer 7-cycles by Cullinane, 1985" src="http://www.log24.com/log/pix09A/091014-7-CyclesByCullinane.jpg" border="0"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;Click on images for details.&lt;br&gt;&lt;br&gt;The 1985 Cullinane version&lt;br&gt;gives some algebraic background&lt;br&gt;for the 1987 Curtis version.&lt;br&gt;&lt;br&gt;&lt;div align="left"&gt;The Singer referred to above is &lt;i&gt;James&lt;/i&gt; Singer. See his "&lt;a href="http://www.jstor.org/pss/1990067" rel="nofollow"&gt;A Theorem in Finite Projective Geometry and Some Applications to Number Theory&lt;/a&gt;," &lt;i&gt;Transactions of the American Mathematical Society&lt;/i&gt; &lt;b&gt;43&lt;/b&gt; (1938), 377-385. &lt;br&gt;&lt;br&gt;For other singers, see &lt;a href="http://log24.com/log03/0405.htm" rel="nofollow"&gt;Art Wars&lt;/a&gt; and &lt;a href="http://www.log24.com/log/pix09A/091014-NYTobits.jpg" rel="nofollow"&gt;today's obituaries&lt;/a&gt;.&lt;br&gt;&lt;br&gt;Some background: the Log24 entry of &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f14%2f2002+23%3a59%3a59.999"&gt;this date seven years ago&lt;/a&gt;, and the entries preceding it on &lt;a href="http://m759.xanga.com/5241887/item/"&gt;Las Vegas&lt;/a&gt; and &lt;a href="http://m759.xanga.com/5289546/item/"&gt;painted ponies&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714488919/art-wars/#firstcomment</comments></item><item><title>Man and His Symbols:</title><link>http://m759.xanga.com/714409567/man-and-his-symbols/</link><guid>http://m759.xanga.com/714409567/man-and-his-symbols/</guid><pubDate>Tue, 13 Oct 2009 10:00:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;b&gt;&lt;font size="5"&gt;Wakes&lt;/font&gt;&lt;/b&gt;&lt;br&gt;&lt;/div&gt;&lt;a href="http://www.log24.com/log/pix09A/091013-NYTobits.jpg" rel="nofollow"&gt;&lt;br&gt;This morning's &lt;i&gt;New York Times&lt;/i&gt;&lt;/a&gt; reports the deaths of Nuremberg interrogator &lt;a href="http://www.amazon.com/Witness-Nuremberg-Richard-W-Sonnenfeldt/dp/1559708166" rel="nofollow"&gt;Richard W. Sonnenfeldt&lt;/a&gt; and of avant-garde novelist and Beckett scholar &lt;a href="http://raymondfederman.blogspot.com/" rel="nofollow"&gt;Raymond Federman&lt;/a&gt;.&lt;br&gt;&lt;br&gt;Symbols from this journal on the dates of their deaths:&lt;br&gt;&lt;br&gt;&lt;div align="center"&gt;For Sonnenfeldt, who died&lt;br&gt;&amp;nbsp;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f9%2f2009+23%3a59%3a59.999"&gt;on Friday, Oct. 9&lt;/a&gt;,&lt;br&gt;a symbol from that date:&lt;br&gt;&lt;/div&gt;&lt;br&gt;&lt;div align="center"&gt;&lt;span&gt;&lt;a href="http://www.log24.com/theory/images/Quaternions.jpg" target="_new" rel="nofollow"&gt;&lt;img alt="The 3x3 grid as religious symbol" src="http://www.log24.com/theory/images/Quat-Identity.jpg" border="0"&gt;&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;div align="left"&gt;&lt;span&gt;&lt;br&gt;For connotations of the symbol appropriate to &lt;a href="http://www.log24.com/log/pix09A/091013-SonnenfeldArt.jpg" rel="nofollow"&gt;the name Sonnenfeldt&lt;/a&gt;, see the link to &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=2%2f19%2f2009+23%3a59%3a59.999"&gt;A Sunrise for Sunrise&lt;/a&gt; in the entry of &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f10%2f2009+23%3a59%3a59.999"&gt;Saturday, Oct. 10.&lt;/a&gt;&lt;/span&gt;&lt;span&gt;&lt;br&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div align="center"&gt;For Federman, who died&lt;br&gt;&amp;nbsp;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f6%2f2009+23%3a59%3a59.999"&gt;on Tuesday, Oct.  6&lt;/a&gt;,&lt;br&gt;a symbol from that date:&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span&gt;&lt;br&gt;&lt;img alt="Black monolith" src="http://www.log24.com/log/pix09A/091006-Monolith.jpg"&gt;&lt;br&gt;&lt;br&gt;&lt;/span&gt;&lt;div align="left"&gt;&lt;span&gt;&lt;/span&gt;A quotation that appeared here on &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f7%2f2009+23%3a59%3a59.999"&gt;Wednesday, Oct. 7&lt;/a&gt;, seems relevant to &lt;a href="http://www.log24.com/log09/saved/091013-Federman.html" rel="nofollow"&gt;Federman&lt;/a&gt;:&lt;br&gt;&lt;br&gt;&lt;div style="margin-left: 40px;"&gt;&lt;font face="Univers"&gt;But I am a worker, &lt;a href="http://www.log24.com/log/pix09A/091013-VoiceCover.jpg" rel="nofollow"&gt;a tombstone mason&lt;/a&gt;, anxious to pleace averyburies and jully glad when Christmas comes his once ayear. You are &lt;a href="http://everything2.com/title/Shem+the+Penman" rel="nofollow"&gt;a poorjoist&lt;/a&gt;, unctuous to polise nopebobbies&lt;/font&gt;....&lt;br&gt;&lt;br&gt;-- James Joyce, &lt;i&gt;Finnegans Wake&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714409567/man-and-his-symbols/#firstcomment</comments></item><item><title>Annals of Aesthetics:</title><link>http://m759.xanga.com/714340173/annals-of-aesthetics/</link><guid>http://m759.xanga.com/714340173/annals-of-aesthetics/</guid><pubDate>Mon, 12 Oct 2009 10:00:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;b&gt;Happy Columbus Day&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://www.andrewcusack.com/2004/10/14/the-dream-of-christopher-columbus/" rel="nofollow"&gt;Part I&lt;/a&gt; and &lt;a href="http://www.log24.com/log/pix09A/091012-hwemp.gif" rel="nofollow"&gt;Part II&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714340173/annals-of-aesthetics/#firstcomment</comments></item><item><title>ART WARS:</title><link>http://m759.xanga.com/714316160/art-wars/</link><guid>http://m759.xanga.com/714316160/art-wars/</guid><pubDate>Sun, 11 Oct 2009 22:00:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;font size="4"&gt;&lt;b&gt;Concepts of Space&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;Today I revised the illustrations&lt;br&gt;in &lt;a href="http://finitegeometry.org/sc/" rel="nofollow"&gt;Finite Geometry of the&lt;br&gt;Square and Cube&lt;/a&gt;&lt;br&gt;for consistency in labeling&lt;br&gt;the eightfold cube.&lt;br&gt;&lt;br&gt;Related material:&lt;br&gt;&lt;br&gt;&lt;i&gt;&lt;a href="http://www.amazon.com/Inside-White-Cube-Ideology-Gallery/dp/0520220404/" rel="nofollow"&gt;Inside the White Cube:&lt;br&gt;The Ideology of &lt;br&gt;the Gallery Space&lt;/a&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=1%2f29%2f2009+23%3a59%3a59.999"&gt;Dagger Definitions&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714316160/art-wars/#firstcomment</comments></item><item><title>ART WARS review:</title><link>http://m759.xanga.com/714206471/art-wars-review/</link><guid>http://m759.xanga.com/714206471/art-wars-review/</guid><pubDate>Sat, 10 Oct 2009 10:00:00 GMT</pubDate><description>&lt;div align="center"&gt;&lt;b&gt;&lt;font size="4"&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=2%2f19%2f2009+23%3a59%3a59.999"&gt;A Sunrise&lt;/a&gt;&lt;br&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=2%2f19%2f2009+23%3a59%3a59.999"&gt;for Sunrise&lt;/a&gt;&lt;/font&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;Related material:&lt;br&gt;&lt;br&gt;This morning's obituaries&lt;br&gt;&lt;font size="1"&gt;&lt;br&gt;(&lt;a href="http://www.log24.com/log/pix09A/091010-NYTobits.jpg" rel="nofollow"&gt;click to enlarge&lt;/a&gt;)&lt;/font&gt;&lt;a href="http://www.log24.com/log/pix09A/091010-NYTobits.jpg" rel="nofollow"&gt;&lt;br&gt;&lt;br&gt;&lt;img alt="http://www.log24.com/log/pix09A/091010-NYTobitsSm.jpg" src="http://www.log24.com/log/pix09A/091010-NYTobitsSm.jpg"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;and &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=5%2f3%2f2003+23%3a59%3a59.999"&gt;Zen and Language Games&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714206471/art-wars-review/#firstcomment</comments></item><item><title>ART WARS</title><link>http://m759.xanga.com/714142518/art-wars/</link><guid>http://m759.xanga.com/714142518/art-wars/</guid><pubDate>Fri, 09 Oct 2009 12:00:00 GMT</pubDate><description>&lt;div style="text-align: center;"&gt;&lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=3%2f9%2f2008+23%3a59%3a59.999"&gt;&lt;font size="4"&gt;&lt;b&gt;Identity&lt;/b&gt;&lt;/font&gt;&lt;/a&gt;&lt;font size="4"&gt;&lt;b&gt;:&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://www.log24.com/theory/images/Quaternions.jpg" target="_new" rel="nofollow"&gt;&lt;img alt="The 3x3 grid as religious symbol" src="http://www.log24.com/theory/images/Quat-Identity.jpg" border="0"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;span&gt;"...strict grids of nine pictures&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; establish an egalitarian&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; framework&lt;/span&gt;...."&lt;br&gt;&lt;br&gt;-- &lt;a href="http://m759.xanga.com/home.aspx?user=m759&amp;amp;nextdate=10%2f8%2f2009+23%3a59%3a59.999"&gt;Christopher Knight&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;span style="font-style: italic;"&gt;Some are more&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;egalitarian&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;than others.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://m759.xanga.com/714142518/art-wars/#firstcomment</comments></item><item><title>Aesthetics continued,,,</title><link>http://m759.xanga.com/714087852/aesthetics-continued/</link><guid>http://m759.xanga.com/714087852/aesthetics-continued/</guid><pubDate>Thu, 08 Oct 2009 13:30:00 GMT</pubDate><description>&lt;font size="4"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/font&gt;&lt;font size="5"&gt;&lt;span style="font-weight: bold;"&gt;Knight Moves&lt;/span&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;Deborah Solomon, &lt;span style="font-style: italic;"&gt;New York Times Magazine&lt;/span&gt;, &lt;a href="http://www.nytimes.com/1999/06/27/magazine/how-to-succeed-in-art.html?pagewanted=all" rel="nofollow"&gt;Sunday, June 27, 1999&lt;/a&gt;:&lt;br&gt;&lt;br&gt;&lt;div style="margin-left: 40px;"&gt;"While modern art began as an assault on the academy, post-modern art might be described as a return to the academy. Instead of the old academy of rules, now we have the Academy of Cool, schools that treat avant-garde rebellion as a learned occupation."&lt;br&gt;&lt;/div&gt;&lt;br&gt;Christopher Knight, &lt;span style="font-style: italic;"&gt;LA Times&lt;/span&gt; art critic, on Solomon:&lt;br&gt;&lt;br&gt;&lt;div style="margin-left: 40px;"&gt;"Back in the day, Solomon interviewed Knight for a &lt;em&gt;Times&lt;/em&gt; &lt;span style="font-style: italic;"&gt;Magazine&lt;/span&gt; story on Los Angeles art schools. 'Having been a journalist (at that time) for almost two decades, I also did my homework,' Knight writes [in &lt;a href="http://www.log24.com/log09/saved/091008-NYPress.html" rel="nofollow"&gt;a letter to the &lt;span style="font-style: italic;"&gt;New York Press&lt;/span&gt;&lt;/a&gt;]. 'I prepared a couple of quotable quotes on the subject, which might encapsulate larger ideas.' One of Knight's pearls of wisdom, 'Modern art began as an assault on the academy, but post-modern art might be described as a return to the academy,' excited Solomon so much that, according to Knight, she printed it as her own observation in &lt;a href="http://www.nytimes.com/1999/06/27/magazine/how-to-succeed-in-art.html?pagewanted=all" rel="nofollow"&gt;her final piece&lt;/a&gt;, which bore no mention of the Knight interview.   In the final story, a seriously bitter Knight writes, 'It was not a quote; my words had become her words.'" --&lt;span style="font-style: italic;"&gt;Gawker&lt;/span&gt;, &lt;a href="http://gawker.com/309793/christopher-knight-to-deborah-solomon-get-away-from-me" rel="nofollow"&gt;Oct. 11, 2007&lt;/a&gt;&lt;br&gt;&lt;/div&gt;&lt;br&gt;A reference to Solomon's piece appeared in this journal &lt;a href="http://log24.com/log03/0713.htm" rel="nofollow"&gt;in 2003&lt;/a&gt;.&lt;br&gt;&lt;br&gt;See also &lt;a href="http://m759.xanga.com/714005036/a-passage/"&gt;yesterday's entry&lt;/a&gt;, today's &lt;a href="http://m759.xanga.com/714077526/aesthetics-continued/"&gt;9 AM entry&lt;/a&gt;, and (for the Academy) an example of &lt;a href="http://www.log24.com/log08/saved/081005-KtMove.html" rel="nofollow"&gt;&lt;span style="font-style: italic;"&gt;knight's move thinking&lt;/span&gt;&lt;/a&gt;.&lt;br&gt;&lt;br&gt;</description><comments>http://m759.xanga.com/714087852/aesthetics-continued/#firstcomment</comments></item></channel></rss>