Month: December 2007

  • Marketing 101:

    Soft-Rock Jesus

    An entry in memory of...

    Dan Folgelberg, Super Hits album

    Reflections of a screenwriter:

    "I began to doubt the premises
    of all the stories I had ever
    told myself, a common condition
    but one I found troubling."

    -- Joan Didion in
    The White Album

    On Fogelberg's "Leader of the Band"
    tribute to his father
    :

    "Dan included his father's arrangement
    of 'The Washington Post March'....
    Dan even showed up
    during the band's
    recording session to play cymbals...."

    "Gosh, does this movie
    have it all or what?"

    -- The Washington Post,
    Dec. 21, 2007

    NY Times: Caspian Sea Pipeline Deal (starring Denise Richards)

    Such, Denise, is the language of love.

  • Man and His Cymbals

    From Drummers for Jesus:

    Serpent
    Cymbal
     
    http://www.log24.com/log/pix07A/071220-Cymbal.jpg
     http://www.serpentcymbals.com

    "Explosive, complex, full and dark. The first
    cymbal with VIBRATO.
    Nothing else comes close!

    Serpent Cymbals enters the
    special effects cymbal market with a stunning new cymbal boasting a
    radical new sound and design. 'This cymbal sounds like a cross between
    a china cymbal, crash cymbal, gong and thunder sheet with a stick of
    dynamite tossed in for fun'...."

    "Pa-rum-pa
      pum pum."


    Devil's Advocate

  • Language Games:

    Tutelary Figures

    An entry in memory of
    Dr. Joseph L. Henderson,
    Jungian analyst, who died
    on Nov. 17 at 104

    (An obituary appears in
    today's New York Times.)


    Some remarks by Dr. Henderson
    :


    The myth of the hero is the most common and the best known myth
    in the world... classical mythology... Greece and Rome... Middle Ages... Far East... contemporary primitive tribes.
    It also appears in dreams... obvious dramatic... profound... importance. P. 101

    ...
    structurally very similar... universal pattern...
    over and over again... a tale of... miraculous... humble
    birth... early proof of superhuman strength... rapid rise
    to prominence... triumphant struggle with the forces of evil... fallibility to the sin of pride (hybris)... and his fall
    through betrayal or a "heroic" sacrifice that ends in
    his death. P. 101

    ... another important characteristic... provides a clue... the early weakness... is balanced by... strong "tutelary"
    figures... who enable him to perform the superhuman tasks that
    he cannot accomplish unaided. Theseus had Poseidon... Perseus
    had Athena... Achilles had Cheiron... the wise centaur,
    as his tutor. P. 101 

    And Stan Carlisle had
    Dr. Lilith Ritter
    :

    http://www.log24.com/log/pix07A/071219-StanLilith.jpg

    See also the noir entry on
    "Nightmare Alley" for
    Winter Solstice 2002,
    as well as a solstice-related
    commentary on I Ching
    Hexagram 41, Decrease.

    Related material:

    http://www.log24.com/log/pix07A/071219-Authors2.jpg

    Dr. Dyane N. Sherwood and
    Dr. Joseph L. Henderson, authors
    of Transformation of the Psyche
    (Routledge, Nov. 7, 2003)

    Dr. Henderson is said to
    have been, in his youth,
    a student of Thornton Wilder
    as well as of Dr. Jung.

  • Today's Sermon:

    Mad Phaedrus
    Meets Mad Ezra

    "Plato's Good was a fixed and eternal and unmoving Idea, whereas for the rhetoricians it was not an Idea at all. The Good was not a form of reality. It was reality itself, ever changing, ultimately unknowable in any kind of fixed, rigid way.
    " --Phaedrus in Zen and the Art of Motorcycle Maintenance

    This apparent conflict between eternity and time, fixity and motion, permanence and change, is resolved by the philosophy of the I Ching and by the Imagism of Ezra Pound.  Consider, for example, the image of The Well

    as discussed here on All Saints' Day 2003 and in the previous entry.

    As background, consider the following remarks of James Hillman in "Egalitarian Typologies Versus the Perception of the Unique," Part  III: Persons as Images--

    "To conceive images as static is to forget that they are numens that move.  Charles Olson, a later poet in this tradition, said:  'One perception must immediately and directly lead to a further perception... always, always one perception must must must move instanter, on another.' 80  Remember Lavater and his insistence on instantaneity for reading the facial image.  This is a kind of movement that is not narrational, and the Imagists had no place for narrative.  'Indeed the great poems to come after the Imagist period-- Eliot’s The Waste Land and Four Quartets; Pound’s Cantos; Williams’s Paterson-- contain no defining narrative.' 81  The kind of movement Olson urges is an inward deepening of the image, an in-sighting of the superimposed levels of significance within it. 82  This is the very mode that Jung suggested for grasping dreams-- not as a sequence in time, but as revolving around a nodal complex.  If dreams, then why not the dreamers.  We too are not only a sequence in time, a process of individuation. We are also each an image of individuality."


    80
      The New American Poetry (D. M. Allen, ed.) N.Y.: Evergreen, Grove, 1960, pp. 387-88. from Jones, p. 42.

    81  Jones,* p. 40.

    82  H. D. later turned narration itself into image by writing a novel in which the stories were "compounded like faces seen one on top of another," or as she says "superimposed on one another like a stack of photographic negatives" (Jones, p. 42).  Cf. Berry,** p. 63: "An image is simultaneous. No part precedes or causes another part, although all parts are involved with each other... We might imagine the dream as a series of superimpositions, each event adding texture and thickening to the rest."

        * Imagist Poetry (Peter Jones, ed.) London: Penguin, 1972

        ** The contrast between image simultaneity and narrative succession, and the different psychological effects of the two modes, is developed by Patricia Berry, "An Approach to the Dream," Spring 1974 (N. Y./Zürich: Spring Publ.), pp. 63, 68-71

    Hillman also says that

    "Jung’s 'complex' and Pound's definition of Image and Lavater's 'whole heap of images, thoughts, sensations, all at once' are all remarkably similar.  Pound calls an Image, 'that which presents an intellectual and emotional complex in an instant of time'... 'the Image is more than an Idea.  It is a vortex or cluster of fused ideas and is endowed with energy'... 'a Vortex, from which and through which, and into which, ideas are constantly rushing.' 79 Thus the movement, the dynamics, are within the complex and not only between complexes, as tensions of opposites told about in narrational sequences, stories that require arbitrary syntactical connectives which are unnecessary for reading an image where all is given at once."


    79 
    These definitions of Image by Pound come from his various writings and can all be found in Jones, pp. 32-41.  Further on complex and image, see J. B. Harmer, Victory in Limbo: Imagism 1908-17, London: Secker & Warburg, 1975, pp. 164-68.

    These remarks may help the reader to identify with Ada during her well-viewing in Cold Mountain (previous entry):

    "She was dazzled by light and shade, by the confusing duplication of reflections and of frames. All coming from too many directions for the mind to take account of. The various images bounced against each other until she felt a desperate vertigo...."

    If such complexity can be suggested by Hexagram 48, The Well, alone, consider the effect of the "cluster of fused ideas... endowed with energy" that is the entire 64-hexagram I Ching.

    Related material:

    St. Augustine's Day 2006

  • Alethiometry continued:

    "Well, it changes."

    Nicole Kidman at a press conference
    for the London premiere of
    "The Golden Compass"
    on November 27:

    Nicole Kidman'-- kittens and tiger

    A related Log24 link from
    that same date, November 27:

    Deep Beauty


    See also

    Zen and the Art of
    Motorcycle Maintenance --

    "Plato hadn’t
    tried to destroy areté. He had encapsulated it; made a permanent, fixed Idea out of it;
    had converted it to a rigid, immobile Immortal Truth. He made areté the Good, the highest
    form, the highest Idea of all. It was subordinate only to Truth itself, in a synthesis of
    all that had gone before.

    That was why the Quality that Phaedrus had arrived
    at in the classroom had seemed so close to Plato’s Good. Plato’s Good was taken
    from the rhetoricians. Phaedrus searched, but could find no previous cosmologists who had
    talked about the Good. That was from the Sophists. The difference was that Plato’s
    Good was a fixed and eternal and unmoving Idea, whereas for the rhetoricians it was not an
    Idea at all. The Good was not a form of reality. It was reality itself, ever changing,
    ultimately unknowable in any kind of fixed, rigid way."

    -- as well as Cold Mountain --

    Page 48: "It's claimed that if
     you take a mirror and look
    backwards into a well, you'll
     see your future down in the water."

    "So in short order Ada found herself bent backward over the mossy well lip, canted in a pose with little to recommend it in the way of dignity or comfort, back arched, hips forward, legs spraddled for balance.  She held a hand mirror above her face, angled to catch the surface of the water below.

    Ada had agreed to the well-viewing as a variety of experiment in local custom and as a tonic for her gloom. Her thoughts had been broody and morbid and excessively retrospective for so long that she welcomed the chance to run counter to that flow, to cast forward and think about the future, even though she expected to see nothing but water at the bottom of the well.

    She shifted her feet to find better grip on the packed dirt of the yard and then tried to look into the mirror.  The white sky above was skimmed over with backlit haze, bright as a pearl or as a silver mirror itself.  The dark foliage of oaks all around the edges framed the sky, duplicating the wooden frame of the mirror into which Ada peered, examining its picture of the well depths behind her to see what might lie ahead in her life. The bright round of well water at the end of the black shaft was another mirror.  It cast back the shine of sky and was furred around the edges here and there with sprigs of fern growing between stones.

    Ada tried to focus her attention on the hand mirror, but the bright sky beyond kept drawing her eye away.  She was dazzled by light and shade, by the confusing duplication of reflections and of frames. All coming from too many directions for the mind to take account of. The various images bounced against each other until she felt a desperate vertigo, as if she could at any moment pitch backward and plunge head first down the well shaft and drown there, the sky far above her, her last vision but a bright circle set in the dark, no bigger than a full moon.

    Her head spun and she reached with her free hand and held to the stonework of the well.  And then just for a moment things steadied, and there indeed seemed to be a picture in the mirror."


    -- and Log24 on December 3 --

    I Ching Hexagram 48: The Well

    The above Chinese character
    stands for Hexagram 48, "The Well."
    For further details, click on the well.

  • Mathematics and Narrative continued:

    Prime Suspect

    Well, she was
       just seventeen...

    "Mazur introduced the topic of prime numbers with a story from Don Quixote
    in which Quixote asked a poet to write a poem with 17 lines. Because 17
    is prime, the poet couldn't find a length for the poem's stanzas and
    was thus stymied."

    -- Undated American Mathematical Society news item about a Nov. 1, 2007, event


    You know
       what I mean...

    The goddess Durga

    Durga



    "... a spectacular seventh-century figure of the Hindu goddess Durga,
    whose hip-slung pose and     voluptuous torso, as plush and taut as ripe
    fruit, combine the naturalism and idealism of the very finest Indian
    work." --The New York Times

    "The Wu Li Masters know that physicists are doing more than
    'discovering the endless diversity of nature.' They are dancing with Kali [or Durga], the Divine Mother of Hindu mythology." --Gary Zukav, Harvard '64

    Yuletide Veronica 

    Veronica

    Or do you?


    "I think transformation becomes the main word in my life, transformation.

    Because you don't want to just put a mirror in front of people and say, here, look at yourself. What do you see?

    You want to have a skewed mirror. You want a mirror that says,
    you didn't know you could see the back of your head. You didn't know
    that you could... almost cubistic, see all aspects at the same time.

    And what that does for human beings is it allows them to step
    out of their lives and to revisit it and maybe find something different
    about it." --Julie Taymor

    Related material:

    The previous two entries and
    readings for the Feast of
    the Triumph of the Cross
    in 2006 and in 2003.

  • Alethiometry continued...

    Found in Translation:
    Words and Images

    NY Times obituaries, Dec. 12, 2007: Whitney and Mailer

    From today's New York Times:

    "Thomas P. Whitney, a former diplomat and writer on Russian affairs who
    was best known for translating the work of the dissident writer
    Aleksandr Solzhenitsyn into English, died on [Sunday] Dec. 2 in Manhattan. He
    was 90....

    During World War II, he was an analyst in Washington with the Office of Strategic Services, a forerunner of the Central Intelligence Agency....

    In the late 1960s and afterward, he bred thoroughbred horses....

    On one occasion, Mr. Whitney took Mr. Solzhenitsyn to Saratoga
    Racetrack...."

    -- Margalit Fox

    Related material:

    Words



    Adam Gopnik on C. S. Lewis
    in The New Yorker, issue
    dated Nov. 21, 2005:

    Prisoner of Narnia

    "Lewis began with
    a number of haunted images...."

    "The best of the books are the ones...
    where the allegory is at a minimum
    and the images just flow."

    "'Everything began with images,'
    Lewis wrote...."


    Images

    Yesterday's entry on
    Solzhenitsyn and The Golden Compass
    and the following illustrations...

    from Sunday in the Park with Death,
    a Log24 entry commemorating
    Trotsky's birthday--

    By Diego Rivera: Frida Kahlo holding yin-yang symbol

    --and from Log24 on the date
    of Whitney's death,
    Sunday, Dec. 2, 2007--

    Dark and light horses, personal emblem of Harry Stack Sullivan

    Personal Emblem
    of psychiatrist
    Harry Stack Sullivan

    The horses may refer to
     the Phaedrus of Plato.

    See also Art Wars.

  • Annals of Alethiometry:

    The Solzhenitsyn Compass

    "The Golden Compass is a $180 million movie that opens this weekend....

    In the book, the golden compass is actually called 'the alethiometer.'
    As any student of Greek would expect, this instrument has to do with alethia-- the truth. In the fourth chapter of the book, the Master of Jordan
    College tells Lyra, the protagonist of the story, that the alethiometer
    'tells you the truth. As for how to read it, you'll have to learn by
    yourself.'"

    -- Sermon by Paul Lundberg, Holy Cross Greek Orthodox Seminary, Tuesday, December 4, 2007.

    "Harvard's motto is Veritas. Many of you have already found out, and
    others will find out in the course of their lives, that truth eludes us
    as soon as our concentration begins to flag, all the while leaving the
    illusion that we are continuing to pursue it. This is the source of
    much discord. Also, truth seldom is sweet; it is almost invariably
    bitter."

    -- Aleksandr Solzhenitsyn, commencement address, Harvard University, June 8, 1978

    Solzhenitsyn is 89 today.
    Happy birthday.