Yesterday evening was, according to today's Harvard Crimson, "the opening night of three usually neglected works by Irish playwright Samuel Beckett. The three plays, originally produced in April 2006 to
commemorate what would have been Beckett's 100th birthday, were part of
the inaugural series for the New College Theatre. Robert Scanlan, a
professor of theater who knew Beckett personally, directed the plays.... He said that performing Beckett as part of the New College Theatre's inaugural series represents an auspicious beginning. 'I personally think it sacralizes the place to perform Beckett here,' he said."

"The first play, 'Words and Music,' displayed the frustrations of the
creative process: a writer, Joe, and Bob, a character personified by
[a] musical trio, worked with and against each other to create art.

The duo first tried to capture love through words, but Joe's attempts quickly descended into clichés.

Then, Joe and Bob tried to capture age, but they failed there too.

Finally, they tried to capture 'the face'-- a vision of a lost
love. While they were able to achieve some meaning, this soon came to
an abrupt end when the elderly man who'd been leading their creative
endeavor simply stood up and walked away."

-- BONNIE J. KAVOUSSI

The New York Times
November 6, 2007

More on the Career of
the Genius Who Boldly
Compared Himself to God

By MICHIKO KAKUTANI

"Picasso... once said...

'... No wonder his [Picasso's] style is so ambiguous. It's like God's. God is really
only another artist. He invented the giraffe, the elephant and the cat.
He has no real style. He just keeps on trying other things. The same
with this sculptor....'

The comparison to God, like the use of the third person, was deliberate, of course."

Of Modern Poetry

The poem of the mind
    in the act of finding
What will suffice ....
                            ... It has
To construct a new stage.
    It has to be on that stage,
And, like an insatiable actor,
    slowly and
With meditation, speak words
    that in the ear,
In the delicatest ear
    of the mind, repeat,
Exactly, that which it
    wants to hear, at the sound
Of which, an invisible
    audience listens,
Not to the play, but to
    itself, expressed
In an emotion as of
    two people, as of two
Emotions becoming one.
   The actor is
A metaphysician in the dark....

-- Wallace Stevens in
    Parts of a World, 1942

Of Modern Metaphysics

"For every work [or act] of creation is threefold, an earthly trinity to
match the heavenly.

First, [not in time, but merely in order of enumeration] there is the
Creative Idea, passionless, timeless, beholding the whole work complete at
once, the end in the beginning: and this is the image of the Father.

Second, there is the Creative Energy [or Activity] begotten of that
idea, working in time from the beginning to the end, with sweat and passion,
being incarnate in the bonds of matter: and this is the image of the Word.

Third, there is the Creative Power, the meaning of the work and its
response in the lively soul: and this is the image of the indwelling Spirit.

And these three are one, each equally in itself the whole work, whereof
none can exist without other: and this is the image of the Trinity."

-- Concluding speech of St. Michael the Archangel in a 1937 play, "The Zeal of Thy House," by Dorothy Sayers, as quoted in her 1941 book The Mind of the Maker. That entire book was, she wrote, an expansion of St. Michael's speech.

Related material:

• Dana Wilde, "An Introduction to Reading Wallace Stevens as a Poet of the Human Spirit" (from The Antigonish Review, published by St. Francis Xavier University, Antigonish, Nova Scotia; Issue 109, online version undated-- perhaps Spring 1997)

• Trinities for Hollywood (Oct. 24) and Something Anonymous (Oct. 25-- Picasso's birthday)

• A 1990 note, The Maker's Gift.