June 30, 2007

  • Annals of Theology:

    Where
     Entertainment
    is God


    Frank Rich in
    The New York Times
    :

     November 2004–

    Desperate Housewives ad on Monday Night Football

    Controversial
    “Desperate Housewives”
    ad on “Monday
    Night Football”

    “Desperate Housewives”… ranks No. 5 among all prime-time shows
    for ages 12-17. (“Monday Night Football” is No. 18.) This may explain
    in part why its current advertisers include products like Fisher-Price
    toys, the DVD of “Elf” and the forthcoming Tim Allen holiday vehicle,
    “Christmas With the Kranks.”

    Those who cherish the First
    Amendment can only hope that the Traditional Values Coalition,
    OneMillionMoms.com, OneMillionDads.com and all the rest send every
    e-mail they can to the F.C.C. demanding punitive action against the
    stations that broadcast “Desperate Housewives.” A “moral values”
    crusade that stands between a TV show this popular and its audience
    will quickly learn the limits of its power in a country where
    entertainment is god.

    – “The Great Indecency Hoax,” a New York Times column by Frank Rich quoted in Log24 on Nov. 26, 2004

    The entertainment continues.  A rabbi’s obituary in today’s New York Times (see previous entry) served as ad-bait for Joshua,” a Fox Searchlight film opening July 6.

    A search for a less sacrilegious memorial to the rabbi yields the following:

    Project MUSE link on Rabbi Abraham Klausner

    The “Project MUSE” link above
    works only at
    subscribing libraries.

      It seems that here, too,
    the rabbi is being
    used as bait.

      For a perhaps preferable
     reference to bait, in the
    context of St. Peter as
    a “fisher of men,” see

    the Christian “mandorla”

    or “vesica piscis,”
    a figure hidden within
    the geometry of Rome’s
    St. Peter’s Square–
    which, despite its name,
    is an oval:

    Mandorla and ovator tondo in St. Peter's Square” cannot be displayed, because it contains errors.

    For the geometric
    construction of the
     Roman oval, see
    ovato tondo” in
    Rudolf Arnheim’s
    The Power of the Center.

    For a less theoretical account
    of the religious significance
    of the mandorla, see
    the 2001 film
    The Center of the World.

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