Month: February 2007

  • Proposed book title:

    The Judas Seat

    Janet Maslin in today's New York Times:

    "The much-borrowed Brown formula involves some very specific things.
    The name of a great artist, artifact or historical figure must be in
    the book’s story, not to mention on its cover. The narrative must start
    in the present day with a bizarre killing, then use that killing as a
    reason to investigate the past. And the past must yield a secret so
    big, so stunning, so saber-rattling that all of civilization may be
    changed by it. Probably not for the better.

    This formula is neatly summarized...."

    Cover illustration
    for
    The Judas Seat:

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    Norton Anthology of
    Children's Literature

    The Narrative:

    Princeton Scholar
    and Bible Translator
    Dies at 93

    The Secret:

    Part I

    "Little 'Jack' Horner was actually Thomas Horner, steward to the Abbot
    of Glastonbury during the reign of King Henry VIII.... Always keen to
    raise fresh funds, Henry had shown a interest in
    Glastonbury (and other abbeys). Hoping to appease the royal appetite,
    the nervous Abbot, Richard Whiting, allegedly sent Thomas Horner to the
    King with a special gift. This was a pie containing the title deeds to
    twelve manor houses in the hope that these would deflect the King from
    acquiring Glastonbury Abbey. On his way to London, the not so loyal
    courier Horner apparently stuck his thumb into the pie and extracted
    the deeds for Mells Manor, a plum piece of real estate. The attempted
    bribe failed and the dissolution of the monasteries (including
    Glastonbury) went ahead from 1536 to 1540. Richard Whiting was
    subsequently executed, but the Horner family kept the house, so the
    moral of this one is: treachery and greed pay off, but bribery is a bad
    idea." --Chris Roberts, Heavy Words Lightly Thrown: The Reason Behind the Rhyme

    Part II

    "The Grail Table has thirteen seats, one of which is kept vacant in memory of Judas Iscariot who betrayed Christ." --Symbolism of King Arthur's Round Table

    "In medieval romance, the grail was said to have been brought to
    Glastonbury in Britain by Joseph of Arimathea and his followers. In the
    time of Arthur, the quest for the Grail was the highest spiritual
    pursuit." --The Camelot Project

    Part III

    The Log24 entry
    for the date--
    February 13, 2007--
    of the above Bible scholar's death,

    and the three entries preceding it:

    "And what the dead had no speech for, when living, they can tell you, being dead: the communication of the dead is tongued with fire beyond the language of the living."


    -- T. S. Eliot, Four Quartets

  • For St. Richard Feynman

    Pop!

    From "Music and Lyrics" (2007)

    Yesterday, Valentine's Day, Hollywood released a romantic comedy,
    "Music and Lyrics," based on a fictional reality-TV show called "Battle
    of the 80's Has-Beens."

    This, along with the Feb. 13 Log24 entry touching on both pop science and pop music, and the fact that today is the anniversary of the 1988 death of physicist Richard Feynman, suggests the following exercise:

    Compare and contrast the lives and works of Feynman (May 11, 1918 - Feb. 15, 1988) and the late Carl Sagan (Nov. 9, 1934 - Dec. 20, 1996).

    (Being dead, both are, in a sense, has-beens, and both were popular in the 1980's.)

    I personally regard Feynman as one of science's saints, and Sagan as,
    shall we say, a non-saint.  For some related reflections on
    pop science and pop music, see the five Log24 entries ending on Michaelmas 2002.  And then there is popcorn--

    A 1980's Hollywood ending
    that Feynman may have liked:

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    Click on picture for details.

     "... slow-motion romp
       through the popcorn...
    Tears for Fears'
    'Everybody Wants to
    Rule the World' ramps up
    on the soundtrack...."

    Credits
    .

  • Hexagram 13: Fellowship with Men


    Bob Dylan Wins a Folk Grammy

    "Modern Times, his first album since Love and Theft,
    debuted at No. 1 on the US pop charts last September. At 65, Dylan
    became the oldest living person to achieve this feat."  --New
    Zealand Herald, Feb. 12

    From an entry of 
    October 29, 2004:

    "Each epoch has its singer."
    -- Jack London,
        Oakland, California, 1901

    "Anything
    but the void. And so we keep hoping to luck into a winning combination,
    to tap into a subtle harmony, trying like lock pickers to negotiate a
    compromise with the 'mystery tramp,' as Bob Dylan put it...."
    -- Dennis Overbye,
       Quantum Baseball,
       New York Times,
       Oct.  26, 2004

    "You said you'd never compromise

    With the mystery tramp,
        but now you realize

    He's not selling any alibis

    As you stare into
        the vacuum of his eyes

    And ask him do you want to
        make a deal?"

    -- Bob Dylan,
        Like a Rolling Stone


    "Climbing up on  

    Solsbury Hill..."

    In today's meditation for

    the Church of Peter Gabriel
    ,
    Dennis Overbye plays
    the role of Jack Horner.

    Jack Horner with Christmas pie

    (See Overbye on Sagan in today's
    New York Times, Sagan on Pi,
    and Pi Day at Harvard.)

    For more on Jack Horner, see
    The Rise and Fall
    of Popular Music
    ,
    by Donald Clarke,
    Chapter One.

    For two contrasting approaches
    to popular music, see two artists
    whose birthdays are today:

    Peter Hook and Peter Gabriel

    In other Grammy news--
    At the end of Sunday's awards,

    "Scarlett Johansson and Don Henley
     put themselves in the pole position
    to star in a remake of 'Adam's Rib'
    with the following exchange:

    Henley: So you're recording
    your first album?

    Johansson: Yeah. Do you
    have any advice for me?

    Henley: No."

    -- David Marchese, Salon.com

    "Her wallet's filled with pictures,
    she gets 'em one by one....
    "

  • Harvard at the Grammys

    Tongued with Fire
    (Illustrated)

    "The communication
    of the dead is tongued with fire
       beyond the language of the living."

    -- T. S. Eliot, Four Quartets

    Christina Aguilera singing James Brown song at Grammys, 2007
    Photo by Mark J. Terrill / AP

    Above: Christina Aguilera performs "It's a Man's Man's Man's World" in tribute
    to the late James Brown during the Grammy Awards in Los Angeles on Sunday, February 11, 2007.

    This morning's New York Times:

    Woman in the News

    Drew Gilpin Faust:
    Coming of Age in a Changed World

    Published: February 12, 2007

    CAMBRIDGE, Mass., Feb. 11-- Recalling
    her coming of age as the only girl in a privileged, tradition-bound
    family in Virginia horse country, Drew Gilpin Faust, 59, has often
    spoken of her "continued confrontations" with her mother "about the
    requirements of what she usually called femininity." Her mother,
    Catharine, she has said, told her repeatedly, "It's a man's world,
    sweetie, and the sooner you learn that the better off you'll be."....

    ... Asked Sunday whether her appointment signified the end of sex
    inequities at the university, Dr. Faust said: "Of course not. There is
    a lot of work still to be done, especially in the sciences."

    What
    would her mother, who never went to college and died in 1966, have to
    say about her appointment? "I've often thought about that," she said.
    "I've had dialogues with my dead mother over the 40 years since she
    died."

    Then she added with a rueful smile, "I think in many
    ways that comment-- 'It's a man's world, sweetie'-- was a bitter
    comment from a woman of a generation who didn't have the kind of
    choices my generation of women had."

    "But it wouldn't mean  
    nothin' ... nothin' ...
    without a woman or a girl."

    -- James Brown,
    who died last year
    on Christmas Day

    James Brown

  • Today's Sermon

    "And what the dead had
       no speech for, when living,
    They can tell you, being dead:
       the communication
    Of the dead is tongued with fire
       beyond the language of the living."

    -- T. S. Eliot, Four Quartets

  • "Joined with art, resistless"--

    NUMB3RS

    Willard Van Orman Quine on the title of his book From A Logical Point of View (Harvard University Press): "Henry Aiken and I were with our wives in a Greenwich Village nightspot when I told him of the plan, and Harry Belafonte had just sung the calypso 'From a logical point of view.' Henry noted that this would do nicely as a title for the volume, and so it did."


  • Class Warfare:

    The Graduate

    From this morning's
    New York Times:

    Classmates: Actor Ian Richardson and writer Art Buchwald

    The actor Ian Richardson

    Richardson died yesterday,
    Friday, Feb. 9, 2007.

    He seems well qualified
    to be patron saint of
     
    the "icily sardonic."

    "... it was his portrayal of the alluringly evil Francis Urquhart, a
    scheming, icily sardonic Tory member of Parliament, that finally made
    him a household name in Britain and a celebrity abroad."

    -- Campbell Robertson in today's New York Times

    Related material: Log24 yesterday, the date of Richardson's death.

  • Annals of Scholarship

    The Romance
    of Mathematics

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    On teachers of "core mathematics classes for non-majors, mathematics appreciation courses, and other lower level courses":

    "We are accustomed to being marginalized by society, our
    political leaders, and even our college and university administrations
    who often fail to see the scholarship involved in teaching. But how
    dare the Notices ignore us?"

    -- Complaint in the March 2007 Notices of the American Mathematical Society by "Julian F. Fleron, Ph.D., Professor of Mathematics, Westfield State College"

    Let us examine Fleron's alleged scholarship:

    "Before each of my classes I put a quote on the board. The quote is
    either related to the mathematics we are studying, related to
    mathematics more generally, or related to learning and education.
    Student response has been tremendous, and I have found it to be very
    beneficial." --Julian Fleron

    Fleron offers us, without specifying an exact source, the following quotation:

    "Mighty is geometry; joined with art, resistless.
    Euripides."

    A search for the source leads us to a quotation from 1914, a time when teaching did sometimes involve scholarship:

    "1568. Mighty are numbers, joined with art resistless. EURIPIDES. Hecuba, Line 884."

    -- Memorabilia Mathematica, by Robert Edouard Moritz, The Macmillan Company, 1914

    But even in 1914, the scholarship, if one can call it
    that, was misleading. The 1914 quotation (which at least refers
    accurately to numbers, not geometry) is blatantly taken out of
    context to imply a connection with the mathematical art of number
    theory (as practiced by, say, G. H. Hardy) that is certainly not found
    in Euripides. The details:

    HECUBA Sheltered beneath these tents is a host of Trojan women.

    AGAMEMNON Dost mean the captives, the booty of the Hellenes?

    HECUBA With their help will I punish my murderous foe.

    AGAMEMNON How are women to master men?

    HECUBA Numbers are a fearful thing, and joined to craft a desperate
    foe.

    AGAMEMNON True; still I have a mean opinion of the female race.

    This dialogue may have some relevance to today's rumored
    selection at Harvard of a woman (Drew Gilpin Faust as Hecuba) to
    replace a man (Larry Summers as Agamemnon) in the president's office.
    The dialogue's only relevance to mathematics is in its reference to the
    perennial conflict
    between the sexes. Perhaps
    that conflict will serve to illustrate the title given by the Notices to Fleron's complaint: "Teaching the Romance of Mathematics."

  • His Kind of Town, continued


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    "Times when I know you'll be lonesome,
       times when I know you'll be sad
    Don't let temptation surround you,
       don't let the blues make you bad"

    -- "We'll Be Together Again,"
        Frankie Laine,
        March 30, 1913 --
        February 6, 2007