December 9, 2006

  • ART WARS continued

    Death on the Feast
    of Saint Nicholas

    The image “http://www.log24.com/log/pix06B/061209-Deathbed.jpg” cannot be displayed, because it contains errors.

    Quotation from Log24 on
    September 14, 2003--

    Skewed Mirrors:

    Readings on Aesthetics for the
    Feast of the Triumph of the Cross:

    "We're not here to stick a mirror on you. Anybody
    can do that, We're here to give you a more cubist or skewed mirror,
    where you get to see yourself with fresh eyes. That's what an artist
    does. When you paint the Crucifixion, you're not painting an exact
    reproduction."

    -- Julie Taymor on "Frida" (AP, 10/22/02)


     
    "Saint Francis Borgia at the Deathbed of an Impenitent [above], painted by Francisco Goya (1746-1828) in 1788, is
    one of the most astonishing works in an oeuvre replete with remarkable
    images. In the decade and a half since its inclusion in Robert Rosenblum's
    survey* of nineteenth-century art, this canvas has become widely known
    among scholars and their students. Rosenblum, following a line of
    interpretation that dates back to the middle of the nineteenth century,
    uses this painting to support a symptomatic reading of Goya's art,
    which he describes as 'the most sharply accurate mirror of the collapse
    of the great religious and monarchic traditions of the West.'"

    -- Andrew Schulz in The Art Bulletin, Dec. 1, 1998

    * 19th-Century Art, by H. W. Janson and Robert Rosenblum, 1984

    Rosenblum died at 79

    on Wednesday,
    the Feast of St. Nicholas.

    For more on
    St. Francis Borgia, see
    In Lieu of Rosebud.

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