Month: February 2006

  • Space, Time, and Scarlett

    From last night's Grammy awards, lyrics performed by Christina Aguilera and Herbie Hancock:

    "a place where there's no space or time"

    -- Leon Russell

    Not bad, but as Kat358 noted on May 4, 2005,

    The image “http://www.log24.com/log/pix06/060209-Blondes.jpg” cannot be displayed, because it contains errors.

    "Scarlett Johansson does this 'old Hollywood glam' look much better."

    For a reference to the place described in Russell's lyrics, see the riff on the number "265" linked to in last night's "Midnight in the Garden of the Soul."

    Related material-- Jazz Improvisation:

    "Once an appropriate group of people has been assembled, you must decide
    what to play."

  • Midnight in the Garden
    of the Soul


    (continued)

    This time slot, reserved at midnight,
    seems to belong to Frank Goodman,
    who, according to this morning's
     (3 AM) New York Times, was
    "one of the last of the old-time
    Broadway press agents."

    Related material:


    Yesterday afternoon's entry

    on a fictional "press agent
    for 'The Garden of the Soul,'"
    and the entry on death
    and gardens from Friday,
    Feb. 3, 2006, the day
    Frank Goodman died.

  • For Grammy Night

    From A Mass for Lucero:

    "To the two gods of art, Apollo and Dionysus, we owe our recognition
    that... there is a tremendous opposition, as regards both origins and
    aims, between the Apolline art of the sculptor and the non-visual,
    Dionysiac art of music."
    -- The Birth of Tragedy, by Friedrich Nietzsche, Penguin, 1993, page 14

    "Melody, then, is both primary and universal." (Author's italics)
    -- Nietzsche, op. cit., page 33

    "...in so far as he interprets music in images, he himself lies amidst the peaceful waves of Apolline contemplation...."
    -- Nietzsche, op. cit., page 35

    The image “http://www.log24.com/log/pix06/060208-Scarlett.jpg” cannot be displayed, because it contains errors.

    Apolline Contemplation

    From The Miracle of the Bells, by Russell Janney, Prentice-Hall, 1946, page 333--

    "He was singing softly:
    'A pretty girl--
     is like a melody---- !'
     But that was always
     Bill Dunnigan's
     Song of Victory....
     Thus thought the...
     press agent for
    'The Garden of the Soul.'"

  • Iconography
    (continued)

    "... iconography,
    the concept and image
    of the bride of Christ--
    the sponsa Christi--
    assumed particular relevance in
    the definition of women's identity."

    -- Silvia Evangelisti in
    Historiographical Reviews

    The image “http://www.log24.com/log/pix06/060208-Sponsa.jpg” cannot be displayed, because it contains errors.


    Related material:

     Arts & Letters Daily
    (Feb. 8, 2006) annotated:

    Dan Brown is not the first to have suggested that Jesus had a sex
    life-- even Martin Luther said it. So what about the lady, Mary
    Magdalene?... more

    "In 'The Little Mermaid,' Ariel's true identity is the 'Lost Bride,' the Magdalene."
    -- Joan Acocella on pop religion in this week's New Yorker

    For literature profs of today, Theory is what the Dialectic was to
    Marxist intellectuals of the past: the key to almost everything... more

    "Contemporary
    literary theory did not emerge in an
    intellectual and cultural vacuum. The subordination of art to
    argument and ideas has been a long time in the works. In The Painted Word, a
    rumination on the state of American painting in the 1970s, Tom Wolfe
    described an epiphany he had one Sunday morning while reading an
    article in the New York Times on an exhibit at Yale University. To appreciate
    contemporary art-- the paintings of Jackson Pollack and still
    more so his followers-- which to the naked eye appeared
    indistinguishable from kindergarten splatterings and which provided
    little immediate pleasure or illumination, it was 'crucial,' Wolfe realized, to have a 'persuasive
    theory,' a prefabricated conceptual lens to make sense of the
    work and bring into focus the artist's point. From there it
    was just a short step to the belief that the critic who supplies
    the theories is the equal, if not the superior, of the artist who
    creates the painting."
    -- Peter Berkowitz, "Literature in Theory"

    The idea that anyone, regardless of learning or class, could "come
    to Christ" went along with the idea of equal rights in America. William
    Jennings Bryan... more

    "... evangelical Protestantism has always been
    an integral part of American political history."
    -- Michael Kazin, Dissent Magazine, Winter 2006

    And from non-Protestantism, for the birthday of John "Star Wars" Williams, we have...

    Sanctus from Missa "Veni Sponsa Christi" (pdf), by Manuel Cardoso (1566-1650).

    Related material: Catholic Tastes and
                               A Mass for Lucero.

  • Today's birthdays:

    E. T. Bell and G. H. Hardy.

    I added a paragraph today to the diamond theorem page:

    "Some of the patterns resulting from the action of G on D have been known for thousands of years. (See Jablan, Symmetry and Ornament, Ch. 2.6.)
    It is perhaps surprising that the patterns' interrelationships and
    symmetries can be explained fully only by using mathematics discovered
    just recently (relative to the patterns' age)-- in particular, the
    theory of automorphism groups of finite geometries."

    This blend of mathematical history and mathematics proper seems not
    inappropriate for a birth date shared by a mathematical historian
    (Bell) and a pure mathematician (Hardy).

  • The Diamond Theory of Truth



    "Legend says that when the stones
    are brought together the diamonds
    inside of them will glow."

    -- Harrison Ford in
    "Indiana Jones and the
    Temple of Doom"

    In today's online New York Times:

    (1) A review of pop-archaeology TV,
        
    "Digging for the Truth,"
    (2) a Sunday news story,
        
    "Looking for the Lie,"
    (3) and a profile,
        
    "Storyteller in the Family."

    From (1):
    "The season premiere 'Digging for the Truth: The Real Temple of Doom,'
    showed Mr. Bernstein in South America, exploring tunnels...."
    From (2):
    "... scientists are building a cognitive theory of deception to show what lying looks like...."
    From (3):
    "I did feel one had to get not just the facts, but the emotional underpinnings."

    Related material:

    Log24 on
    Harrison Ford's birthday
    last July--

    The image “http://www.log24.com/log/pix05A/050713-Ford.jpg” cannot be displayed, because it contains errors.

    -- and Mathematics and Narrative.

    See also Saturday's entry,
    Raiders of the Lost Matrix,
    for logic as an aid in
    detecting lies.

  • The Logic of Apollo

    "The
    icon that I use... is the nine-fold square.... This is the garden of Apollo, the
    field of Reason...."

    -- Architect's notes on the design of a college campus

    "Binary image morphological operations are well suited to a large class
    of basic image processing applications. These operations include image
    analysis tasks such as shape recognition, image segmentation, noise
    reduction, and feature extraction."

    The image “http://www.log24.com/theory/images/060206-Masks.gif” cannot be displayed, because it contains errors.

    -- A Programmable Logic-based Implementation of Ultra-fast Parallel Binary Image Morphological Operations (pdf), by Kenneth G. Ricks et al., ISCA 18th International Conference on Computers and Their Applications
    (March 2003)

  • Catholic Schools Sermon

    For those who might be tempted today, following yesterday's conclusion of Catholic
    Schools Week, to sing (for whatever reason) "Ding Dong, the Witch is
    Dead"--

    Here, from his classic Witchcraft (first published by Faber and Faber, London, 1941, reprinted by Apocryphile Press, Berkeley, CA, Oct. 1, 2005) is Charles Williams on the strong resemblance between witchcraft and the rituals of the Church:

    Charles Williams on
    Witchcraft and the Church

    From Witchcraft, 2005 Apocryphile edition, pages 77-80--

    [77] ... The predisposition towards the idea of magic might be said to begin
    with a moment which seems to be of fairly common experience-- the
    moment when it seems that anything might turn into anything else. 
    We have grown used-- and properly used-- to regarding this sensation
    invalid because, on the whole, things do not turn into other things
    except by processes which we realize, or else at least so frequently
    that we appreciate the probability.  But the occasional sensation
    remains.  A room, a street, a field becomes unsure.  The edge
    of a possibility of utter alteration intrudes.  A door, untouched,
    might close; a picture might walk; a tree might speak; an animal might
    not be an animal; a man might not be a man.  One may be with a
    friend, and a terror will take one even while his admirable voice is
    speaking; one will be with a lover and the hand will become a different
    and terrifying thing, moving in one's own like a malicious intruder,
    too real for anything but fear.  All this may be due to racial
    memories or to any other cause; the point is that it exists.  It
    exists and can be communicated; it can even be shared.  There is,
    in our human centre, a heart-gripping fear of irrational change, of
    perilous and malevolent change.
        Secondly, there is the human body, and the movements
    of the human body.  Even now, when, as a general rule, the human
    body is not supposed to mean [78] anything, there are moments when it seems, in spite of ourselves,
    packed with significance.  This sensation is almost exactly the
    opposite of the last.  There, one was aware that any phenomenon
    might alter into another and truer self.  Here, one is aware that
    a phenomenon, being wholly itself, is laden with universal
    meaning.  A hand lighting a cigarette is the explanation of
    everything; a foot stepping from a train is the rock of all
    existence.  If the first group of sensations are due to racial
    fear, I do not know to what the second group are due-- unless indeed to
    the Mercy of God, who has not left us without a cloud of
    witnesses.  But intellectually they are both as valid or invalid as
    each other; any distinction must be a matter of choice.  And they
    justify each other, at least to this extent, that (although the first
    suggests irrationality and the second rationality) they both at first
    overthrow a simple trust that phenomena are what phenomena seem.
       
    But if the human body is capable of seeming so, so
    are the controlled movements of the human body-- ritual movements, or
    rather movements that seem like ritual.  A finger pointing is
    quite capable of seeming not only a significant finger, but a ritual
    finger; an evocative finger; not only a finger of meaning, but a finger
    of magic.  Two light dancing steps by a girl may (if one is in
    that state) appear to be what all the Schoolmen were trying to express;
    they are (only one cannot quite catch it) an intellectual statement of
    beatitude.  But two quiet steps by an old man may seem like the
    very speech of hell.  Or the other way round.  Youth and age
    have nothing to do with it, nor did the ages that defined and [79]
    denounced witchcraft think so.  The youngest witch, it is said,
    that was ever burned was a girl of eleven years old.
        Ordered movement, ritual, is natural to men. 
    But some ages are better at it, are more used to it, and more sensitive
    to it, than others.  The Middle Ages liked great spectacle, and
    therefore (if for no other reasons-- but there were many) they liked
    ritual.  They were nourished by ritual-- the Eucharist exhibited
    it.  They made love by ritual-- the convention of courtly love
    preserved it.  Certainly also they did all these things without
    ritual-- but ritual (outside the inner experience) was the norm. 
    And ritual maintains and increases that natural sense of the
    significance of movement.  And, of course, of formulae, of words.
        The value of formulae was asserted to be very
    high.  The whole religious life 'as generally necessary to
    salvation' depended on formulae.  The High God had submitted
    himself to formulae.  He sent his graces.  He came Himself,
    according to ritual movements and ritual formulae.  Words
    controlled the God.  All generations who have believed in God have
    believed that He will come on interior prayer; not all that He
    will come, if not visibly yet in visible sacraments, on exterior
    incantation.  But so it was.  Water and a Triune formula
    concentrated grace; so did oil and other formulae; so-- supremely-- did
    bread and wine and yet other formulae.   Invocations of
    saints were assumed, if less explicitly guaranteed, to be
    effective.  The corollaries of the Incarnation had spread, in word
    and gesture, very far.
        The sense of alteration, the sense of meaning, the
    [80] evocation of power, the expectation of the God, lay all about the
    world.  The whole movement of the Church had, in its rituals, a
    remarkable similarity to the other rites it denounced.  But the
    other rites had been there first, both in the Empire and outside the
    Empire.  In many cases the Church turned them to its own
    purposes.  But also in many cases it entirely failed to turn them
    to its own purposes.  In many cases it adopted statues and
    shrines.  But in others it was adopted by, at least, the less
    serious spells and incantations.  Wells and trees were dedicated
    to saints.  But the offerings at many wells and trees were to
    something other than the saint; had it not been so they would not have
    been, as we find they often were, forbidden.  Within this double
    and intertwined life existed those other capacities, of which we know
    more now, but of which we still know little-- clairvoyance,
    clairaudience, foresight, telepathy.