Month: December 2005

  • Thirst for
    the Absolute


    This world is not conclusion;
      A sequel stands beyond,
    Invisible, as music,
      But positive, as sound.
    It beckons and it baffles;     
      Philosophies don't know,
    And through a riddle, at the last,
      Sagacity must go....

    -- Emily Dickinson

    From John Spencer's birthday,
    December 20, in 2003:

    Riddled:

    The Absolutist Faith
    of The New York Times

    White and Geometric, but not Eternal.

    (See previous entry.)

    The title of this entry
     
    comes from within 
    an entry of June 2, 2005,

    The Barest Vocabulary
     at the Altar of Facts
    .

  • Fade to White


    For John Spencer,

    who died on December 16:

    "He was a kind, sweet, funny man...
    a man who made your words come to life
    in ways you would never expect."

    -- James Mangold, quoted in     
    today's Los Angeles Times 

    The image “http://www.log24.com/log/pix05B/051217-Spencer2.jpg” cannot be displayed, because it contains errors.
     

    Related material:

    Entries from the date
    of Spencer's death

    and
     White, Geometric, and Eternal

    (from Dec. 20, 2003--
     Spencer's birthday).

  • Fade to Black

    "...that
    ineffable constellation of talents that makes the player of rank: a
    gift for conceiving abstract schematic possibilities; a sense of
    mathematical poetry in the light of which the infinite chaos of
    probability and permutation is crystallized under the pressure of
    intense concentration into geometric blossoms; the ruthless focus of
    force on the subtlest weakness of an opponent." 

    -- Trevanian,
        Shibumi  

     
    "'Haven't there been splendidly elegant colors in Japan since ancient times?'

    'Even black has various subtle shades,' Sosuke nodded." 

    -- Yasunari Kawabata,
        The Old Capital

    "The Zen disciple sits for long hours silent and motionless, with
    his eyes closed. Presently he enters a state of impassivity, free from
    all ideas and all thoughts. He departs from the self and enters the
    realm of nothingness. This is not the nothingness or the emptiness of
    the West. It is rather the reverse, a universe of the spirit in which
    everything communicates freely with everything, transcending bounds,
    limitless." 

    -- Yasunari Kawabata,

        Nobel lecture, 1968 

    The image “http://www.log24.com/log/pix04A/040627-Prize.jpg” cannot be displayed, because it contains errors.

  • A Wintry Friday Afternoon

    Three years ago today in the New York Times:

    "The book was Will Durant's Story of Philosophy, and I was 12 or 13 when I carried it home from
    the library one wintry Friday afternoon.

    I cannot even remember the novel that accompanied it. But I remember
    that I was curled up on our beat-up old couch, the one with the huge
    embarrassing rip where my older sister would position me to sit
    demurely, my dress fanned out over the damage, when her dates arrived.
    I was reading Durant's section on Plato, struggling to understand his
    theory of the ideal Forms that lay in inviolable perfection out beyond
    the phantasmagoria. (That was the first, and I think the last, time
    that I encountered that word.)

    The Forms are abstract but real, I read, graspable only through the
    eyes of the mind, pure reason. And it seemed to me, that dark winter
    afternoon as I read, that I was grasping them; that I, a yiddishe
    maidel of questionable worth, was seeing with the eyes of my mind
    exactly what that ancient Greek philosopher had seen; that just like
    him I was out beyond the phantasmagoria, suspended in formal
    perfection; that I was out beyond myself, had almost lost all touch
    with who I even was, and it was . . . bliss."

    -- Rebecca Goldstein

      Related material:
      Davenport's Express.

      Update of 6:14 PM EST:

        Whistle Stop

       The image “http://www.log24.com/log/pix05B/051216-Leo.jpg” cannot be displayed, because it contains errors.

    For the late John Spencer,
    actor on NBC's "West Wing"

        From "West Wing"--

    -- "When was the last time
        you went to a meeting?"
    -- "AA?.... What meeting
         could I possibly go to?"
    -- "Mine."

  • Jesus vs. the Goddess:
    A Brief Chronology

    In 1946, Robert Graves published "King Jesus, an
    historical novel
    based on the theory and Graves' own historical
    conjecture that Jesus was, in fact, the rightful heir to the Israelite
    throne... written while he was researching and developing his ideas for
    The White Goddess."

    In 1948, C. S. Lewis finished the first draft of The Lion, The Witch,
    and The Wardrobe
    , a novel in which one of the main characters is
    "the White Witch."

    In 1948, Robert Graves published The White Goddess.

    In 1949, Robert Graves
    published
    Seven Days in New Crete [also titled Watch
    the North Wind Rise
    ], "a novel about a social distopia in which
    Goddess worship is (once again?) the dominant religion."

    Lewis died on November 22, 1963, the day John F. Kennedy was
    killed.

    Related material:
    Log24, December 10, 2005

    Graves died on December 7 (Pearl Harbor Day), 1985.

    Related material:
    Log24, December 7, 2005, and

    Log24, December
    11, 2005

    Jesus died, some say, on April 7 in the year 30 A.D.

    Related material:

    Art Wars, April 7, 2003:
    Geometry and Conceptual Art,


    Eight is a Gate
    , and

    The image “http://www.log24.com/log/pix05B/051216-PlatoDiamond.gif” cannot be displayed, because it contains errors.

    Plato's Diamond

    The image “http://www.log24.com/log/pix05B/051216-Motto.jpg” cannot be displayed, because it contains errors.

    -- Motto of

    Plato's Academy

    "Plato is wary of all forms of rapture other
    than reason's. He is most deeply leery of, because himself so
    susceptible to, the literary imagination. He speaks of it as a kind of
    holy madness or intoxication and goes on to link it to Eros, another
    derangement that joins us, but very dangerously, with the gods."
     
    Rebecca Goldstein in
        The New York Times,
        three years ago today
        (December 16, 2002) 
     
    "It's all in Plato, all in Plato;
     bless me, what do they
    teach them at these schools?"
     
    -- C. S. Lewis in
    the Narnia Chronicles

    "How much story do you want?"
    -- George Balanchine


  • The Cinematic
    Imagination,


    or
    "Frida" meets

    "Under the Volcano"

    The image “http://www.log24.com/log/pix05B/051215-Camas.jpg” cannot be displayed, because it contains errors.

    A scene from "Frida"
    and a scene from the
    Day of the Dead festival,
    Cuernavaca, 10/30/04

    Related material:

    For the Man in Black
    (Log 24, 9/13/03)
    and
    For a Man in Black
    (Log 24, 11/17/05).

    See also the utopia in Robert Graves's novel, Watch the North Wind Rise-- "New
    Crete, where the ritual murder of the Victim-King makes murder for less sacred
    ends seem unthinkable"-- and the Log24 entry "Magical Thinking" of Pearl Harbor Day, 2005.

  • In honor of Freeman Dyson's birthday:

    Dance of the Numbers

    "Mahlburg likens his approach to an analogous one for deciding
    whether a dance party has an even or odd number of attendees. Instead
    of counting all the participants, a quicker method is to see whether
    everyone has a partner—in effect making groups that are divisible by 2.

    In Mahlburg's work, the partition numbers play the role of the
    dance participants, and the crank splits them not into couples but into
    groups of a size divisible by the prime number in question. The total
    number of partitions is, therefore, also divisible by that prime.

    Mahlburg's work 'has effectively written the final chapter on Ramanujan congruences,' Ono says.

    'Each step in the story is a work of art,' Dyson says, 'and the
    story as a whole is a sequence of episodes of rare beauty, a drama
    built out of nothing but numbers and imagination.'"

    -- Erica Klarreich in Science News Online, week of June 18, 2005

    This would seem to meet the criteria set by Fritz Leiber for "a
    story that works." (See previous entry.)  Whether the muse of
    dance (played in "Xanadu" by a granddaughter of physicist Max Born--
    see recent entries) has a role in the Dyson story is debatable.

    Born Dec. 11, 1882, Breslau, Germany.

    Died Jan. 5, 1970, Göttingen,
    West Germany.

    The image “http://www.log24.com/log/pix05B/051215-Born.jpg” cannot be displayed, because it contains errors.
    Max Born

    Those who prefer less abstract stories may enjoy a mythic tale by Robert Graves, Watch the North Wind Rise, or a Christian tale by George MacDonald, At the Back of the North Wind.

    Related material:

    "The valley spirit never dies. It's named the mystic woman."

    -- Tao Te Ching

    For an image of a particular
    incarnation of the mystic woman
    (whether as muse, as goddess,
    or as the White Witch of Narnia,
    I do not know) see Julie Taymor.

    "Down in the valley,
     valley so low,
     hang your head over,
     hear the wind blow."

    -- Folk song

    "Which is the sound of the land
    Full of the same wind
    That is blowing in
        the same bare place

    For the listener,
        who listens in the snow,
    And, nothing himself, beholds
    Nothing that is not there
        and the nothing that is."

    -- Wallace Stevens

  • From Here
    to Eternity

    For Loomis Dean

    The image “http://www.log24.com/log/pix05B/051214-MorenoCover.jpg” cannot be displayed, because it contains errors.

    See also
    For Rita Moreno
    on Her Birthday

    (Dec. 11, 2005)

    Los Angeles Times
    Tuesday, Dec. 13, 2005

    OBITUARIES

    The image “http://www.log24.com/log/pix05B/051214-LoomisDean.jpg” cannot be displayed, because it contains errors.


    LOOMIS DEAN


    After many years at Life magazine,


    he continued to find steady work
    as a freelancer and as a still
    photographer on film sets.
    (Dean Family)

    Loomis Dean, 88;
    Life Magazine Photographer
    Known for Pictures of
    Celebrities and Royalty

    By Jon Thurber, Times Staff Writer

    Loomis Dean, a Life magazine photographer who made memorable pictures
    of the royalty of both Europe and Hollywood, has died. He was 88.

    Dean died Wednesday [December 7, 2005] at Sonoma Valley Hospital in Sonoma, Calif., of
    complications from a stroke, according to his son, Christopher.

    In a photographic career spanning six decades, Dean's leading images
    included shirtless Hollywood mogul Darryl F. Zanuck trying a one-handed
    chin-up on a trapeze bar, the ocean liner Andrea Doria listing in the
    Atlantic and writer Ernest Hemingway in Spain the year before he
    committed suicide. One of his most memorable photographs for Life was
    of cosmopolitan British playwright and composer Noel Coward in the
    unlikely setting of the Nevada desert.

    Dean shot 52 covers
    for Life, either as a freelance photographer or during his two
    stretches as a staffer with the magazine, 1947-61 and 1966-69. After
    leaving the magazine, Dean found steady freelance work in magazines and
    as a still photographer on film sets, including several of the early
    James Bond movies starring Sean Connery.

    Born in Monticello, Fla., Dean was the son of a grocer and a schoolteacher.

    When the Dean family's business failed during the Depression, they
    moved to Sarasota, Fla., where Dean's father worked as a curator and
    guide at the John and Mable Ringling Museum of Art.

    Dean
    studied engineering at the University of Florida but became fascinated
    with photography after watching a friend develop film in a darkroom. He
    went off to what is now the Rochester Institute of Technology, which
    was known for its photography school.

    After earning his
    degree, Dean went to work for the Ringling circus as a junior press
    agent and, according to his son, cultivated a side job photographing
    Ringling's vast array of performers and workers.

    He worked
    briefly as one of Parade magazine's first photographers but left after
    receiving an Army Air Forces commission during World War II. During the
    war, he worked in aerial reconnaissance in the Pacific and was along on
    a number of air raids over Japan.

    His first assignment for Life
    in 1946 took him back to the circus: His photograph of clown Lou Jacobs
    with a giraffe looking over his shoulder made the magazine's cover and
    earned Dean a staff job.

    In the era before television, Life
    magazine photographers had some of the most glamorous work in
    journalism. Life assigned him to cover Hollywood. In 1954, the magazine
    published one of his most memorable photos, the shot of Coward dressed
    for a night on the town in New York but standing alone in the stark
    Nevada desert.

    Dean had the idea of asking Coward, who was
    then doing a summer engagement at the Desert Inn in Las Vegas, to pose
    in the desert to illustrate his song "Mad Dogs and Englishmen Go Out in
    the Midday Sun."

    As Dean recalled in an interview with John
    Loengard for the book "Life Photographers: What They Saw," Coward
    wasn't about to partake of the midday sun. "Oh, dear boy, I don't get
    up until 4 o'clock in the afternoon," Dean recalled him saying.

    But Dean pressed on anyway. As he related to Loengard, he rented a
    Cadillac limousine and filled the back seat with a tub loaded with
    liquor, tonic and ice cubes — and Coward.

    The temperature
    that day reached 119 as Coward relaxed in his underwear during the
    drive to a spot about 15 miles from Las Vegas. According to Dean,
    Coward's dresser helped him into his tuxedo, resulting in the image of
    the elegant Coward with a cigarette holder in his mouth against his
    shadow on the dry lake bed.

    "Splendid! Splendid! What an idea!
    If we only had a piano," Coward said of the shoot before hopping back
    in the car and stripping down to his underwear for the ride back to Las
    Vegas.

    In 1956, Life assigned Dean to Paris. While sailing to
    Europe on the Ile de France, he was awakened with the news that the
    Andrea Doria had collided with another liner, the Stockholm.

    The accident occurred close enough to Dean's liner that survivors were being brought aboard.

    His photographs of the shaken voyagers and the sinking Andrea Doria
    were some of the first on the accident published in a U.S. magazine.

    During his years in Europe, Dean photographed communist riots and
    fashion shows in Paris, royal weddings throughout Europe and noted
    authors including James Jones and William S. Burroughs.

    He
    spent three weeks with Hemingway in Spain in 1960 for an assignment on
    bullfighting. In 1989, Dean published "Hemingway's Spain," about his
    experiences with the great writer.

    In 1965, Dean won first
    prize in a Vatican photography contest for a picture of Pope Paul VI.
    The prize included an audience with the pope and $750. According to his
    son, it was Dean's favorite honor.

    In addition to his son, he is survived by a daughter, Deborah, and two grandsons.

    Instead of flowers, donations may be made to the American Child
    Photographer's Charity Guild (www.acpcg.com) or the Make-A-Wish
    Foundation.

    Related material:
    The Big Time

    (Log 24, July 29, 2003):




    A Story That Works

    • "There is the dark, eternally silent, unknown universe;
    • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles --

      • that minds should really touch, or
      • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
      • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
    • and lastly, there is lonely, story-telling, wonder-questing, mortal me."

      -- Fritz Leiber in "The Button Molder"

  • Christmas Reflections
    for Julie Taymor
     
    (creator of
     Broadway's "Lion King"
    and of the film "Frida")

    Adam Gopnik on Narnia in The New Yorker:

    "Everything began with images," Lewis wrote.

    Julie Taymor on "Frida":

    "We're not here to stick a mirror on you. Anybody
    can do that, We're here to give you a more cubist or skewed mirror,
    where you get to see yourself with fresh eyes. That's what an artist
    does. When you paint the Crucifixion, you're not painting an exact
    reproduction."

    Images for Julie Taymor:

    The image “http://www.log24.com/log/pix05B/051213-Quartet.jpg” cannot be displayed, because it contains errors.

    Today's New York Times on Debora Arango, an artist who died at 98 on Dec. 4 at her home near Medellin, Colombia:

    "She made dramatic paintings of prostitutes, which shocked midcentury sensibilities...."

    "Ms. Arango always pushed boundaries, even as a young girl. In a
    favorite story, she talked about how she wore pants to ride horses...."

    Related material:
    Yesterday's entry "Modestly Yours" and entries on Johnny Cash, horses, and Julie Taymor of September 12-14, 2003.

    "Words are events."

    -- Walter J. Ong, Society of Jesus
     

    Concluding Unscientific Postscript
    at noon on St. Lucy's Day:

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    "They are the horses of a dream.
     They are not what they seem."

    -- The Hex Witch of Seldom, page 16

  • Modestly Yours

    The image “http://www.log24.com/log/pix05B/051212-Cash.jpg” cannot be displayed, because it contains errors.
    American IV:
    The Man Comes Around

    "The virgins are all

    trimming their wicks
    .
    "

    -- Johnny Cash   

    From a Dec. 9 Mona Charen column promoting modesty:

    "Modestlyyours.net is an antidote to the vulgarity that is shoved in our faces from magazine covers...."

    Related material
    (click on covers
    for details):

    "For Jennifer Connelly
    on Her Birthday,"

    The image “http://www.log24.com/log/pix05B/051212-ConnellyThumb.jpg” cannot be displayed, because it contains errors.

    and "For Rita Moreno
    on Her Birthday."

    The image “http://www.log24.com/log/pix05B/051211-Rita21Thumb.jpg” cannot be displayed, because it contains errors.

    For Frank Sinatra
    on His Birthday:

    The image “http://www.log24.com/log/pix05B/051212-Muse.jpg” cannot be displayed, because it contains errors.
     
    or...

    The image “http://www.log24.com/log/pix05B/051212-Crop.jpg” cannot be displayed, because it contains errors.

    Modesty, my ass!