September 14, 2005
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Lutheran Rhythm, continued:
Square-Wheel Rhythm(See previous entry.)
“This is a sane and sensible interpretation, deeply musicianly and
devoid of eccentricity. Her attitude, rather like Toscanini’s, is to
accept the text com’ e scritto (for example, she adopts the
‘square-wheel’ rhythm of the E minor Gigue) and then to make legitimate
adjustments….”