Month: January 2005

  • Realism

    In memory of Humphrey Carpenter:

    "Aslan's last words come at the end of The Last Battle: 'There was
    a real railway accident [...] Your father and mother and all of you
    are--as you used to call it in the Shadow-Lands--dead. The term is
    over: the holidays have begun. The dream is ended: this is the
    morning.' The final paragraph of the novel, which follows these
    words, functions as a coda; it is full of the conventions which signal
    the wrapping up of a story. This direct speech is the true climax of
    the Chronicles. Aslan is given the last word in these quiet but
    emphatic lines. He is the ultimate arbiter of reality: 'There was a
    real railway accident.' Plato, in addition to the Christian tradition,
    lies behind the closing chapters of The Last Battle....

    'It's all in Plato,
    all in Plato: bless me, what do they teach them at these schools!' "

    -- Joy Alexander, Aslan's Speech

    See also From Tate to Plato (Nov. 19, 2004), Habeas Corpus (Nov. 24, 2004), and the Log24 entries of last Friday through Sunday.


  • Another Death

    "I should be glad of another death," wrote T. S. Eliot in "Journey of the Magi."

    But not Humphrey Carpenter's.  Carpenter, like Eliot and Guy Davenport (see last two days' entries) died on a January 4th.  He will be missed.

  • Light at Bologna

    "Others say it is a stone that posseses mysterious powers.... often
    depicted as a dazzling light.  It's a symbol representing power, a
    source of immense energy.  It nourishes, heals, wounds, blinds,
    strikes down.... Some have thought of it as the philosopher's stone of
    the alchemists...."

    -- Foucault's Pendulum
    by Umberto Eco,
    Professor of Semiotics at
     Europe’s oldest university,
     the University of Bologna.

    The Club
    Dumas

    by Arturo Perez-Reverte

    (Paperback, pages 346-347):

    One by one, he tore the engravings from the
    book, until he had all nine.  He looked at them closely. 
    "It's a pity you can't follow me where I'm going.  As the fourth
    engraving states, fate is not the same for all."

    "Where do you believe you're going?"

    Borja dropped the mutilated book on the floor with the others. He was
    looking at the nine engravings and at the circle, checking strange
    correspondences between them.

    "To meet someone" was his enigmatic answer. "To search for the stone
    that the Great Architect rejected, the philosopher's stone, the basis
    of the philosophical work. The stone of power.
    The devil likes
    metamorphoses, Corso. From Faust's black dog to the false angel of
    light who tried to break down Saint Anthony's resistance.  But
    most of all, stupidity bores him, and he hates monotony...."

    Eclogues:
    Eight Stories

    by Guy Davenport

    Johns Hopkins paperback, 1993, page 127 --

    Lo Splendore della Luce a Bologna, VI:

    "In 1603, at Monte Paderno, outside Bologna, an alchemist (by day a
    cobbler) named Vicenzo Cascariolo discovered the
    Philosopher's Stone, catalyst in the transformation of base metals into
    gold, focus of the imagination, talisman for abstruse thought. 
    Silver in some lights, white in others, it glowed blue in darkness,
    awesome to behold."


    The
    Discovery
    of Luminescence:

    The
    Bolognian
    Stone

    The image “http://www.log24.com/log/pix05/050109-Bologna.jpg” cannot be displayed, because it contains errors.
    Bologna, 16th Century

    "For the
    University of Bologna hosting an
    International Conference on Bioluminescence and Chemiluminescence has a
    very
    special significance. Indeed, it is in our fair City that modern
    scientific
    research on these phenomena has its earliest roots....

    'After submitting the stone
    to much
    preparation,
    it was not
    the Pluto
    of Aristophanes
    that resulted; instead, it was
    the Luciferous Stone' "

    From one of the best books
    of the 20th
    century:

    The
    Hawkline Monster

    by Richard Brautigan

    The image “http://www.log24.com/log/pix05/050109-Hawkline.jpg” cannot be displayed, because it contains errors.
    "The Chemicals that resided in the jar were a
    combination of hundreds of things from all over the world.  Some
    of The Chemicals were ancient and very difficult to obtain.  There
    were a few drops of something from an Egyptian pyramid dating from the
    year 3000 B.C.

    There were distillates from the jungles of South America and drops of
    things from plants that grew near the snowline in the Himalayas.

    Ancient China, Rome and Greece had contributed things, too, that had
    found their way into the jar.  Witchcraft and modern science, the
    latest of discoveries, had also contributed to the contents of the
    jar.  There was even something that was reputed to have come all
    the way from Atlantis....

    ... they did not know that the monster was an illusion created by a
    mutated light in The Chemicals. a light that had the power to work its
    will upon mind and matter and change the very nature of reality to fit
    its mischievous mind."

  • Splendor of the Light

    The Beginning of a Story

    by Guy
    Davenport

    Lo Splendore della Luce a Bologna

    "The locomotive bringing a trainload of philosophers to Bologna hissed
    and ground to a standstill in the long Appenine dusk to have its
    headlamps lit and to be dressed in the standards of the city and the
    university."

    -- Eclogues, by Guy Davenport
    (Johns Hopkins paperbacks
       ed. edition, 1993, page 125)

    Related material:

    The train
    wreck
    at 12:50 pm local time (6:50 AM EST) Friday, Jan. 7, 2005,
    25 miles north of Bologna.

    A northbound freight train collided with a passenger train traveling
    south from Verona to Bologna.

    From an essay on Davenport I found Friday morning, well
    before I
    learned on Friday afternoon (Eastern Standard Time) of the train wreck:

    "A disciple of Ezra Pound, he adapts to the short
    story the ideogrammatic method of The Cantos, where a grammar of
    images, emblems, and symbols replaces that of logical sequence. This
    grammar allows for the grafting of particulars into a congeries of
    implied relation without subordination. In contrast to postmodernists,
    Davenport does not omit causal connection and linear narrative
    continuity for the sake of an aleatory play of signification but in
    order to intimate by combinational logic kinships and correspondences
    among eras, ideas and forces."

    -- "When Novelists Become Cubists:
        The Prose Ideograms of Guy Davenport,"
    by Andre Furlani

    See also
    Friday's Log24 entries and
    Davenport's
    Express
    .

  • 24

    The Star
    of Venus

    "He looked at the fading light
    in the western sky and saw Mercury,
    or perhaps it was Venus,
    gleaming at him as the evening star.
    Darkness and light,
    the old man thought.
    It is what every hero legend is about.
    The darkness which is more than death,
    the light which is love, like our friend
    Venus here, or perhaps this star is
    Mercury, the messenger of Olympus,
    the bringer of hope."

    -- Roderick MacLeish, Prince Ombra

    Related material:

    The Devil and Wallace Stevens,

    Journey of the Magi
    ,

    and

    Hexagram 24:

    "The time of darkness is past.
    The winter solstice brings
    the victory of light."

  • Remembrance

    "Great is your love,  Prince Ombra answered finally, and
    eternal is its mystery to me.  Yet honor was not denied me in the
    fire of Creation.  Ombra, lord vanquisher of heroes, pledges this,
    O brother of David, Arthur the King, and Susano-- the child will speak
    even as you fall before me.  You will be remembered.
    "

    --  Prince Ombra, by Roderick MacLeish

    "There's rosemary, that's for remembrance."

    -- William Shakespeare, Hamlet

  • "A corpse will be
    transported by express!"

    (Ideograms for Guy Davenport;
    see also previous entry.)

    "At the still point,
    there the dance is."
    -- T. S. Eliot

    Illustration from
    Tuesday, April 22, 2003:

    Temptation


    Locomotive

    The Star
    of Venus


    Locomotion

    Related material:
    The Devil and Wallace Stevens

  • In Memory of
    Guy Davenport

    From the day Davenport died:

    The image “http://www.log24.com/log/pix05/050104-Endgame.jpg” cannot be displayed, because it contains errors.

    "At Merton College, Oxford,
    he wrote the first thesis on Joyce
    to be accepted by the university."

    -- Today's New York Times

    From a very informative essay
    on Davenport's aesthetics:

    "T.S. Eliot's experiments
    in
    ideogrammatic method
    are equally germane to Davenport,
    who shares with
    the poet
    an avant-garde aesthetic and
    a conservative temperament.
    Davenport's text reverberates
    with echoes of Four Quartets."

    -- Andre Furlani

    "At the still point, there the dance is."

    --  T. S. Eliot, Four Quartets,
    quoted in the epigraph to
    the chapter on automorphism groups
    in Parallelisms of Complete Designs,
    by Peter J. Cameron,
    published when Cameron was at
    Merton College, Oxford.

    See also
    Elegance.

  • Epiphany Gift:

    A new download page
    for the Diamond 16 Puzzle.

  • Death and the Spirit

    A meditation for Twelfth Night
    on "the whirligig of time"

    Today's New York Times obituaries feature two notable graphic artists: 

    • Frank
      Kelly Freas, who created, among other works, 400 portraits of saints
      for the Franciscans and the covers of Mad Magazine from 1958 through
      1962. "I found it difficult to shift my artistic gears from the sublime
      to the ridiculous and back again," he said of his departure from Mad.

    • Will
      Eisner, "an innovative comic-book artist who created the Spirit, a hero
      without superpowers, and the first modern graphic novel."

    Yesterday's entry
    provided an approach to The Dark Lady, Kali, that was, in Freas's apt
    word, "ridiculous."  The illustration below, "Mate," is an attempt
    to balance yesterday's entry with an approach that is, if not sublime,
    at least more serious.  It is based on a similar illustration from
    Jan. 31, 2003,
    with actress Judy Davis playing The Dark Lady.  Today it seems
    appropriate to replace Davis with another actress (anonymous here,
    though some may recognize her).  I once knew her (unlike Davis)
    personally.  One of my fondest memories of high school is reading
    Mad Magazine with her in the school lunch room.  Our lives
    diverged after high school, but I could happily have spent my life in
    her company.

    Mate

    - S. H. Cullinane, Twelfth Night, 2005

    The image “http://log24.com/log/pix05/050105-Mate.jpg” cannot be displayed, because it contains errors.

    A diamond and its dual "whirl" figure—
    or a "jewel-box and its mate"

    For details, see the five Log24 entries
    ending on Feb. 1, 2003, and the
    perceptive remarks of Ryan Benedetti
    on Sam Spade and Brigid O'Shaughnessy.

    As for Eisner and "The Spirit,"
    which has been called
    "the quintessential noir detective series,"
    those preferring non-graphic stories
    may picture Spade or his creator,
    Dashiell Hammett, in the title role.

    Then, of course, there are Eisner's later
      story, "A Contract With God,"
      John 4:24, and 1916 4/24.