January 5, 2005

  • Death and the Spirit

    A meditation for Twelfth Night
    on “the whirligig of time

    Today’s New York Times obituaries feature two notable graphic artists: 

    • Frank
      Kelly Freas, who created, among other works, 400 portraits of saints
      for the Franciscans and the covers of Mad Magazine from 1958 through
      1962. “I found it difficult to shift my artistic gears from the sublime
      to the ridiculous and back again,” he said of his departure from Mad.

    • Will
      Eisner, “an innovative comic-book artist who created the Spirit, a hero
      without superpowers, and the first modern graphic novel.”

    Yesterday’s entry
    provided an approach to The Dark Lady, Kali, that was, in Freas’s apt
    word, “ridiculous.”  The illustration below, “Mate,” is an attempt
    to balance yesterday’s entry with an approach that is, if not sublime,
    at least more serious.  It is based on a similar illustration from
    Jan. 31, 2003,
    with actress Judy Davis playing The Dark Lady.  Today it seems
    appropriate to replace Davis with another actress (anonymous here,
    though some may recognize her).  I once knew her (unlike Davis)
    personally.  One of my fondest memories of high school is reading
    Mad Magazine with her in the school lunch room.  Our lives
    diverged after high school, but I could happily have spent my life in
    her company.

    Mate

    – S. H. Cullinane, Twelfth Night, 2005

    The image “http://log24.com/log/pix05/050105-Mate.jpg” cannot be displayed, because it contains errors.

    A diamond and its dual “whirl” figure—
    or a “jewel-box and its mate”

    For details, see the five Log24 entries
    ending on Feb. 1, 2003, and the
    perceptive remarks of Ryan Benedetti
    on Sam Spade and Brigid O’Shaughnessy.

    As for Eisner and “The Spirit,”
    which has been called
    the quintessential noir detective series,”
    those preferring non-graphic stories
    may picture Spade or his creator,
    Dashiell Hammett, in the title role.

    Then, of course, there are Eisner’s later
      story, “A Contract With God,”
      John 4:24, and 1916 4/24.

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