Month: October 2004

  • Show Business
    according to Fritz Leiber

    (Leiber's "Changewar" is my
    favorite mythology.)

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    From the Changewar story
    "No Great Magic" (1960) Part V:

    Even little things are
    turning out to be great things
    and becoming intensely interesting.
    Have you ever thought about
    the properties of numbers?

    -- The Maiden

    "I've had this idea-- it's just a sort of fancy,
    remember-- that if you wanted to time-travel and, well, do things, you
    could hardly pick a more practical machine than a dressing-room and a
    sort of stage and half-theater attached, with actors to man it...."

    For the remainder of this section
    of Leiber's story, see

    Show Business.

    Related material:
    The previous entry,
    The Eight, and
    Now We See Wherein
    Lies the Pleasure
    .

  • Naturalized Epistemology,
    continued...

    They Smile

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    When They Are Low

    From today's New York Times:

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  • Narrative Theory

    12:07:51 AM

    An alternate version of
    the previous entry's illustration:

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    Hexagram
    51:


    Shock,

    Shock
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  • Time and Chance

    Today's winning lottery numbers
    in Pennsylvania (State of Grace):

    Midday: 373

    Evening: 816.

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  • Urn

    "Almost every famous chess game
    is a well-wrought urn
    in Cleanth Brooks’ sense."

    -- John Holbo,
    Now We See
    Wherein Lies the Pleasure
    ,
    July 12, 2004

    "The well-wrought urn
    contained mortal ashes."

    -- Geoffrey Hartman
    (See previous entry.)

  • The Last Enemy
    (See April 30)

      

    "I was also impressed... by the intensity
    of Continental modes of literary-critical thought....

    On the Continent, studies of Hölderlin and Rousseau, of Poe,
    Baudelaire, Mallarmé and Rilke, of Rabelais, Nietzsche, Kafka, and
    Joyce, challenged not only received ideas on the unity of the work of art
    but many aspects of western thought itself. Derrida, at the same
    time, who for nearly a decade found a home in Yale's
    Comparative Literature Department, expanded the concept of textuality to
    the point where nothing could be demarcated as 'hors d'œuvre' and escape the literary-critical eye. It was uncanny to feel
    hierarchic boundaries waver until the commentary entered the text—not
    literally, of course, but in the sense that the over-objectified
    work became a reflection on its own status, its stability as an object
    of cognition. The well-wrought urn contained mortal ashes."

    -- Geoffrey Hartman, A Life of Learning

    In memory of
    Jacques Derrida and James Chace,
    both of whom died in Paris on
    Friday, Oct. 8, 2004... continued...
    (See previous three entries.)

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    Orson Welles

    Mate in 2

    V. Nabokov, 1919

    "The last enemy
    that shall be destroyed is death."
    -- Saul of Tarsus, 1 Cor. 15:26

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    Knight move,
    courtesy of V. Nabokov:

    Nfe5 mate

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    Knight:

    Sir John Falstaff
    (See Chimes at Midnight.)

  • Introduction to Aesthetics

    "Chess problems are the
    hymn-tunes of mathematics."
    -- G. H. Hardy,
    A Mathematician's Apology

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    G. H. Hardy in

    A Mathematician's Apology:

    "We do not want many 'variations' in the proof of a mathematical
    theorem: 'enumeration of cases,' indeed, is one of the duller forms of
    mathematical argument.  A mathematical proof should resemble a simple
    and clear-cut constellation, not a scattered cluster in the Milky Way.

    A chess problem also has unexpectedness, and a certain economy; it
    is essential that the moves should be surprising, and that every piece
    on the board should play its part.  But the aesthetic effect is
    cumulative.  It is essential also (unless the problem is too simple to
    be really amusing) that the key-move should be followed by a good many
    variations, each requiring its own individual answer.  'If P-B5 then
    Kt-R6; if .... then .... ; if .... then ....' -- the effect would be
    spoilt if there were not a good many different replies.  All this is
    quite genuine mathematics, and has its merits; but it just that 'proof
    by enumeration of cases' (and of cases which do not, at bottom, differ
    at all profoundly*) which a real mathematician tends to despise.

    * I believe that is now regarded as a merit in a problem that there should be many variations of the same type."

    (Cambridge at the University Press.  First edition, 1940.)

    Brian Harley in
    Mate in Two Moves:

    "It is quite true that variation play is, in ninety-nine cases out
    of a hundred, the soul of a problem, or (to put it more materially) the
    main course of the solver's banquet, but the Key
    is the cocktail that begins the proceedings, and if it fails in
    piquancy the following dinner is not so satisfactory as it should be."

    (London, Bell & Sons.  First edition, 1931.)

  • Starflight

    In memory of
    Jacques Derrida and James Chace,
    both of whom died in Paris on
    Friday, Oct. 8, 2004, and of
    Orson Welles, who died
    on this date in 1985

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    Orson Welles

    Mate in 2 

    V. Nabokov, 1919

    "The black king has three white flight squares, without mates being provided
    for these flights, which suggests giving him a fourth. 1. Bg2 therefore
    presents itself, especially when you notice that it prepares mates for
    all the flights, and for the king remaining on its original square.

    1. Bg2

    Kxc6 2. Nfe5 mate

    Ke6   2. Nd4  mate

    Kc4   2. Nd2  mate  

    Ke4   2. Nd4  mate  

    fxg3  2. Ng5  mate

    The five variations together are the theme,  'starflight.'  (With orthogonal
    squares it is called plus- or cross-flight.)"

    --
    Open Chess Diary, 1999,
       by Tim Krabbé, Amsterdam

    See also the entries of
    Oct. 8, 2002 and
    Oct. 8, 2004, and
    related remarks on
    the "double cross," or
    "king's moves" symbol:

    For an appropriate bishop, see

    Riddle.

  • Derrida Dead

    "Jacques Derrida,
    the Algerian-born, French intellectual who became one of the most
    celebrated and unfathomable philosophers of the late 20th century, died
    Friday at a Paris hospital, the French president's office announced. He
    was 74."

    -- Jonathan Kandell, New York Times

    "There is no teacher but the enemy."

    -- Orson Scott Card, Ender's Game,
       Tor paperback reprint, 1994, p. 262

  • Belief

    KERRY: "I'm going to be a president who believes in science."

    KERRY: "I'm a Catholic - raised a Catholic. I was an altar boy. Religion has
    been a huge part of my life, helped lead me through a war, leads me
    today."

    BUSH: "Trying to decipher that."