Month: September 2004

  • The First Idea


    From aldaily.com,
    a service of
    The Chronicle of
    Higher Education:








    New Books


    "Mr. Oppenheimer, given what has happened since, would you again accept to develop the bomb? Even after Hiroshima?” “Yes”... more»



    The foundations of civilization are but modest: consider for instance games of peekaboo and patty-cake... more»


    Peekaboo:


    Wallace Stevens on "The First Idea"


    Patty-cake:


    Language, Poetry, Philology


    "A specialist in Homer's Odyssey and early Greek lyric poetry, Joseph Russo is the only American classicist among six international scholars to provide commentary for Oxford University Press' three-volume edition of the epic poem."


    -- Introduction to an inaugural lecture, "Language, Poetry, Philology, and 'The Stateliest Measure,'" at Haverford College given by Joseph Russo on Feb. 26, 1999

  • Soul at Harvard


    Exhibit A:



    Exhibit B:








    Exhibit C:







    Log24.net, Thursday,
    September 16, 2004,
    3:57 PM
    --


    Soul and
    The Fullness of Time


    "In the fullness of time,
    educated people will believe
    there is no soul
    independent of the body,
    and hence no life after death.''
     -- Francis Crick



    Click on pictures for details.

  • Playing God


    Interview in TIME Magazine, issue dated Sept. 6, 2004:


    "Ellen DeGeneres has been cast as God in a remake of the 1977 George Burns film Oh, God!...


    TIME: What do you think God's house is like?

    DeGeneres: There's a coffee table with two magazines — Teen People and Guns & Ammo."


    ... and a TV with two videos:








     



    Click on pictures for details.

  • 3:57:09...
    Time is a Weapon


    In memory of rock star and NRA member Johnny Ramone, who died on Wednesday, Sept. 15:


    "You've got to ask yourself a question."
    -- Clint Eastwood as Dirty Harry


    "At the end, when the agent pumps Neo full of lead, the agent is using a .357 Magnum. That gun only holds 9 bullets, but the agent shoots 10 shots at Neo. I don't know where he got that gun."



    -- Jesse Baumann,
        The Matrix: The Magic Bullet 



    Manufacturer:
    Ta'as Israel Industries,
    Ramat Hasharon, Israel







    Friday, August 01, 2003:


    Fearful Meditation 








    Ray Price - Time

    TIME, Aug. 4, 2003

    Ray Price — Time


    "The Max D. Barnes-penned title track, with its stark-reality lyrics, is nothing short of haunting: 'Time is a weapon, it’s cold and it’s cruel; It knows no religion and plays by no rules; Time has no conscience when it’s all said and done; Like a beast in the jungle that devours its young.' That’s so good, it hurts! Price’s still-amazing vocals are simply the chilling icing on the cake."


    -- Lisa Berg, NashvilleCountry.com


    O fearful meditation!
    Where, alack,
    Shall time's best jewel
    from time's chest lie hid?


    — Shakespeare, Sonnet 65

    Clue: click here.  This in turn leads to my March 4 entry Fearful Symmetry, which contains the following:

    "Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery...."


    -- Hermann Hesse, The Glass Bead Game


    "How strange the change from major to minor...."


    -- Cole Porter, "Every Time We Say Goodbye"


  • God is in...
    The Details

    From an entry for Aug. 19, 2003 on
    conciseness, simplicity, and objectivity:

    Above: Dr. Harrison Pope, Harvard professor of psychiatry, demonstrates the use of the Wechsler Adult Intelligence Scale "block design" subtest.

    Another Harvard psychiatrist, Armand Nicholi, is in the news lately with his book The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life

    Pope

    Nicholi

    Old
    Testament
    Logos

    New
    Testament
    Logos

    For the meaning of the Old-Testament logos above, see the remarks of Plato on the immortality of the soul at

    Cut-the-Knot.org.

    For the meaning of the New-Testament logos above, see the remarks of R. P. Langlands at

    The Institute for Advanced Study.

    On Harvard and psychiatry: see

    The Crimson Passion:
     A Drama at Mardi Gras

    (February 24, 2004)

    This is a reductio ad absurdum of the Harvard philosophy so eloquently described by Alston Chase in his study of Harvard and the making of the Unabomber, Ted Kaczynski.  Kaczynski's time at Harvard overlapped slightly with mine, so I probably saw him in Cambridge at some point.  Chase writes that at Harvard, the Unabomber "absorbed the message of positivism, which demanded value-neutral reasoning and preached that (as Kaczynski would later express it in his journal) 'there is no logical justification for morality.'" I was less impressed by Harvard positivism, although I did benefit from a course in symbolic logic from Quine.  At that time-- the early 60's-- little remained at Harvard of what Robert Stone has called "our secret culture," that of the founding Puritans-- exemplified by Cotton and Increase Mather.

    From Robert Stone, A Flag for Sunrise:

    "Our secret culture is as frivolous as a willow on a tombstone.  It's a wonderful thing-- or it was.  It was strong and dreadful, it was majestic and ruthless.  It was a stranger to pity.  And it's not for sale, ladies and gentlemen." 

    Some traces of that culture:

    A web page
    in Australia:

    A contemporary
    Boston author:

    Click on pictures for details.

    A more appealing view of faith was offered by PBS on Wednesday night, the beginning of this year's High Holy Days:

    Armand Nicholi: But how can you believe something that you don't think is true, I mean, certainly, an intelligent person can't embrace something that they don't think is true — that there's something about us that would object to that.

    Jeremy Fraiberg: Well, the answer is, they probably do believe it's true.

    Armand Nicholi: But how do they get there? See, that's why both Freud and Lewis was very interested in that one basic question. Is there an intelligence beyond the universe? And how do we answer that question? And how do we arrive at the answer of that question?

    Michael Shermer: Well, in a way this is an empirical question, right? Either there is or there isn't.

    Armand Nicholi: Exactly.

    Michael Shermer: And either we can figure it out or we can't, and therefore, you just take the leap of faith or you don't.

    Armand Nicholi: Yeah, now how can we figure it out?

    Winifred Gallagher: I think something that was perhaps not as common in their day as is common now — this idea that we're acting as if belief and unbelief were two really radically black and white different things, and I think for most people, there's a very — it's a very fuzzy line, so that —

    Margaret Klenck: It's always a struggle.

    Winifred Gallagher: Rather than — I think there's some days I believe, and some days I don't believe so much, or maybe some days I don't believe at all.

    Doug Holladay: Some hours.

    Winifred Gallagher: It's a, it's a process. And I think for me the big developmental step in my spiritual life was that — in some way that I can't understand or explain that God is right here right now all the time, everywhere.

    Armand Nicholi: How do you experience that?

    Winifred Gallagher: I experience it through a glass darkly, I experience it in little bursts. I think my understanding of it is that it's, it's always true, and sometimes I can see it and sometimes I can't. Or sometimes I remember that it's true, and then everything is in Technicolor. And then most of the time it's not, and I have to go on faith until the next time I can perhaps see it again. I think of a divine reality, an ultimate reality, uh, would be my definition of God.

    Winifred
    Gallagher

    Sangaku

    Gallagher seemed to be the only participant in the PBS discussion that came close to the Montessori ideals of conciseness, simplicity, and objectivity.  Dr. Montessori intended these as ideals for teachers, but they seem also to be excellent religious values.  Just as the willow-tombstone seems suited to Geoffrey Hill's style, the Pythagorean sangaku pictured above seems appropriate to the admirable Gallagher.

  • The Fullness of Time



    "In the fullness of time,
    educated people will believe
    there is no soul
    independent of the body,
    and hence no life after death.''
     -- Francis Crick






    PARAPHRASE OF THE PROSE
    OF "THE DIARY"


    after Walter Benjamin


    You live alone in
          the diary of my life
    Leading an immortal existence
          page by page....


    -- Gershom Scholem,
    The Fullness of Time,
    page 53


  • 11:59 PM: The Last Minute

    For the benefit of Grace (Paley, Enormous Changes at the Last Minute), here are the September 15 lottery numbers for Pennsylvania, the State of Grace (Kelly):

    Midday: 053 Evening: 373.

    For the significance of the evening number, 373, see Directions Out and Outside the World (both of 4/26/04).  In both of these entries, and others to which they are linked, the number 373 signifies eternity.

    The two most obvious interpretations of the midday number, 53, are as follows:

    • As a famous number of tones in musical harmonic analysis (i.e., tuning theory), as opposed to mathematical harmonic analysis ( The Square Wheel, 9/14/04), and
    • as a reference to the year 1953-- a good year for Grace Kelly and the year of the classic film From Here to Eternity (the latter being signified, as noted above, by yesterday's evening lottery number in the State of Grace).

    "Time and chance
    happeneth to them all."
    Ecclesiastes 9-11

  • High Holy
    Hexagram


    7:11:20 PM







    For a poetic interpretation
    of this symbol, see
    Hexagram 20,
    Contemplation (View).


    For a religious interpretation
    suited to the High Holy Days,
    see the film


    .


     "The truth is that man's capacity for symbol-mongering in general and language in particular is so intimately part and parcel of his being human, of his perceiving and knowing, of his very consciousness itself, that it is all but impossible for him to focus on the magic prism through which he sees everything else."


    -- Walker Percy, The Message in the Bottle

  • Shakespeare
    for Rosh Hashanah


    From "Walter Benjamin,
    1892-1940,"
    by Hannah Arendt
    (Introduction to
    Benjamin's Illuminations.):


    THE PEARL DIVER


    Full fathom five thy father lies,
    Of his bones are coral made,
    Those are pearls that were his eyes.
    Nothing of him that doth fade
    But doth suffer a sea-change
    Into something rich and strange.
    -- THE TEMPEST, I, 2


    "... we are dealing here with something which may not be unique but is certainly extremely rare: the gift of thinking poetically.


    And this thinking, fed by the present, works with the 'thought fragments' it can wrest from the past and gather about itself.  Like a pearl diver who descends to the bottom of the sea, not to excavate the bottom and bring it to light but to pry loose the rich and the strange, the pearls and the coral in the depths, and to carry them to the surface, this thinking delves into the depths of the past-- but not in order to resuscitate it the way it was and to contribute to the renewal of extinct ages. What guides this thinking is the conviction that although the living is subject to the ruin of the time, the process of decay is at the same time a process of crystallization, that in the depth of the sea, into which sinks and is dissolved what once was alive, some things 'suffer a sea-change' and survive in new crystallized forms and shapes that remain immune to the elements, as though they waited only for the pearl diver who one day will come down to them and bring them up into the world of the living-- as 'thought fragments,' as something 'rich and strange,' and perhaps even as everlasting Urphänomene."


    For examples of everlasting Urphänomene, see Translation Plane for Rosh Hashanah and The Square Wheel; recall that on this date


    "In 1935, the Nuremberg Laws deprived German Jews of their citizenship and made the swastika the official symbol of Nazi Germany."


    -- Today in History, the Miami Herald


    (For some further reflections on square wheels, see Triumph of the Cross.)

  • On Translation


    From Illuminations, by Walter Benjamin, translated by Harry Zohn:


    "If there is such a thing as a language of truth, the tensionless and even silent depository of the ultimate truth which all thought strives for, then this language of truth is-- the true language.  And this very language, whose divination and description is the only perfection a philosopher can hope for, is concealed in concentrated fashion in translations.  There is no muse of philosophy, nor is there one of translation.  But despite the claims of sentimental artists, these two are not banausic.  For there is a philosophical genius that is characterized by a yearning for that language which manifests itself in translations: 'Les langues imparfaites en cela que plusieurs, manque la suprême: penser étant écrire sans accessoires, ni chuchotement mais tacite encore l'immortelle parole, la diversité, sur terre, des idiomes empêche personne de proférer les mots qui, sinon se trouveraient, par une frappe unique, elle-même matériellement la vérité.'*  If what Mallarmé evokes here is fully fathomable to a philosopher, translation, with its rudiments of such a language, is midway between poetry and doctrine.  Its products are less sharply defined, but it leaves no less of a mark on history."


    * "The imperfection of languages consists in their plurality, the supreme one is lacking: thinking is writing without accessories or even whispering, the immortal word still remains silent; the diversity of idioms on earth prevents everybody from uttering the words which otherwise, at one single stroke, would materialize as truth.'


    -- Stéphane Mallarmé / Crise de vers

    (The Benjamin is from a copy of Illuminations I purchased exactly 12 years ago, on Sept. 15, 1992.)