Month: March 2004

  • Men of Respect









    Dershowitz



    DiLorenzo


    "I caught Alan Dershowitz defending Martha Stewart on ABC TV this morning. Most Americans who pay any attention at all to the news of her trial think she is being charged with insider trading. She is not. She is accused of asserting her innocence to federal prosecutors who accused her of insider trading. She is on trial for allegedly lying about her innocence.


    Think about that. The Constitution supposedly gives us the presumption of innocence. A federal bureaucrat shows up and says, in effect, 'We haven't defined insider trading yet, Mrs. Stewart, but we think you're guilty of it and should go to prison for it.' Martha says 'I'm innocent' and for that she's prosecuted.


    Dershowitz was right on the money when he announced on ABC, 'This is like the Soviet Union!' "


    -- Thomas DiLorenzo, February 4, 2004


    DiLorenzo is a professor of economics
    at Loyola College in Maryland.


    Dershowitz is a professor of law
    at Harvard.


  • Split




    The first idea was not our own. Adam
    in Eden was the father of Descartes.


    -- Wallace Stevens,
    Notes Toward a Supreme Fiction


    A very interesting web site at
    Middle Tennessee State University
    relates the Stevens quote
    to two others:


    "The sundering we sense, between nature and culture, lies not like a canyon outside us but splits our being at its most intimate depths the way mind breaks off from body. It is still another version of that bitter bifurcation long ago decreed: our expulsion from Eden. It differs from the apparently similar Cartesian crease across things in the fact that the two halves of us once were one; that we did not always stand askance like molasses and madness--logically at odds--but grew apart over the years like those husbands and wives who draw themselves into different corners of contemplation."


    -- William Gass,
    "The Polemical Philosopher"


    "The experiment [to make rationality primary] reached the reductio ad absurdum following the attempt by Descartes to solve problems of human knowledge by giving ontological status to the dichotomy of thinking substance and extended substance, that is subject and object. Not only were God and man, sacred and secular, being and becoming, play and seriousness severed, but now also the subject which wished to unite these fragmented dichotomies was itself severed from that which it would attempt to reconcile."

    -- David Miller, God and Games


    "Which is it then? For Gass, the Cartesian schism is a post- lapsarian divorce-in progress, only apparently similar to the expulsion from paradise. For Stevens the fault is primordial and Descartes only its latter-day avatar. For Miller, Descartes is the historical culprit, the patriarch of the split."


    -- The Evil Genius Notebook,
    by
    David Lavery

  • Ennui of the First Idea


    The ennui of apartments described by Stevens in "Notes Toward a Supreme Fiction" (see previous entry) did not, of course, refer to the "apartments" of incidence geometry.  A more likely connection is with the apartments -- the "ever fancier apartments and furnishings" -- of Stéphane Mallarmé, described by John Simon as the setting for what might plausibly be called, in Stevens's words, "an ennui of the first idea":


    "Language was no more than a collection of meaningless conventional signs, and life could absurdly end at any moment. He [Mallarmé] became aware, in Millan’s* words, 'of the extremely fine line



    separating absence and presence, being and nothingness, life and death, which later … he could place at the very centre of his work and make the cornerstone of his personal philosophy and his mature poetics.' "


    -- John Simon, Squaring the Circle


    * A Throw of the Dice: The Life of Stéphane Mallarmé, by Gordon Millan


    The illustration of the "fine line" is not by Mallarmé but by myself.  (See Songs for Shakespeare, March 5, where the line separates being from nothingness, and Ridgepole, March 7, where the line represents the "great primal beginning" of Chinese philosophy (or, equivalently, Stevens's "first idea" or Mallarmé's line "separating absence and presence, being and nothingness, life and death.")

  • Apartments


    From Wallace Stevens,
    "Notes Toward a Supreme Fiction":


    It is the celestial ennui of apartments
    That sends us back to the first idea, the quick
    Of this invention; and yet so poisonous


    Are the ravishments of truth, so fatal to
    The truth itself, the first idea becomes
    The hermit in a poet’s metaphors,


    Who comes and goes and comes and goes all day.
    May there be an ennui of the first idea?
    What else, prodigious scholar, should there be?....


    From Guyan Robertson,
    Groups Acting on Affine Buildings
    and their Boundaries
    :



    From Plato's Meno:



    They will get it straight one day at the Sorbonne.
    We shall return at twilight from the lecture         
    Pleased that the irrational is rational....              


    See Logos and Logic
    and the previous entry.

  • Ridgepole


    CBS News Sunday Morning today had a ridgepole ceremony for a house that was moved from China to Salem, Massachusetts.


    From the web page


    Introduction to the I Ching--
    By Richard Wilhelm
    :


    "He who has perceived the meaning of change fixes his attention no longer on transitory individual things but on the immutable, eternal law at work in all change. This law is the tao of Lao-tse, the course of things, the principle of the one in the many. That it may become manifest, a decision, a postulate, is necessary. This fundamental postulate is the 'great primal beginning' of all that exists, t'ai chi -- in its original meaning, the 'ridgepole.' Later Chinese philosophers devoted much thought to this idea of a primal beginning. A still earlier beginning, wu chi, was represented by the symbol of a circle. Under this conception, t'ai chi was represented by the circle divided into the light and the dark, yang and yin, .


    This symbol has also played a significant part in India and Europe. However, speculations of a gnostic-dualistic character are foreign to the original thought of the I Ching; what it posits is simply the ridgepole, the line. With this line, which in itself represents oneness, duality comes into the world, for the line at the same time posits an above and a below, a right and left, front and back-in a word, the world of the opposites."


    The t'ai chi symbol is also illustrated on the web page Cognitive Iconology, which says that 


    "W.J.T. Mitchell calls 'iconology' a study of the 'logos' (the words, ideas, discourse, or 'science') of 'icons' (images, pictures, or likenesses). It is thus a 'rhetoric of images' (Iconology: Image, Text, Ideology, p. 1)."


    A variation on the t'ai chi symbol appears in a log24.net entry for March 5:



    The Line,
    by S. H. Cullinane


    See too my web page Logos and Logic, which has the following:



    "The beautiful in mathematics resides in contradiction. Incommensurability, logoi alogoi, was the first splendor in mathematics."


    -- Simone Weil, Oeuvres Choisies, éd. Quarto, Gallimard, 1999, p. 100



    Logos Alogos,
     by S. H. Cullinane 


    In the conclusion of Section 3, Canto X, of "Notes," Stevens says



    "They will get it straight one day
         at the Sorbonne.
     We shall return at twilight
         from the lecture
     Pleased that
         the irrational is rational...."


    This is the logoi alogoi of Simone Weil.

  • Cognitive Blending


    It seems that much of my effort here at Xanga can be described by these two words.


    Specifically, for an application of the "conceptual blending" of Fauconnier and Turner to my journal entries of Feb. 29-March 5, 2004, click here.

  • Signifying Nothing


    Fred Benninger, the former chairman of MGM Grand and the MGM studio, died at 86 at his home in Las Vegas on Sunday, Feb. 29, 2004.


    "Mr. Benninger was well known in the business world for decades, but he made his biggest mark in the gambling industry."


    -- Today's New York Times


    For Benninger, who died on Oscar Day, a two-part story.


    Part One


    From an entry for
    Oscar Day:






    Types of Ambiguity


    1.  Oscar: military phonetic
         for the letter 'O'


    ....


    6.  Macbeth  ".... a tale
    Told by an idiot,
    full of sound and fury,
    Signifying nothing."


    7.  Enter a Messenger.


    Part Two


    From an entry for
     Columbus Day, 2003:






    Spinnin' Wheel,
    Spinnin' True



  • Songs for Shakespeare

    from Willie and Waylon

    From today's New York Times

    by Ben Brantley

    ...."Dost thou know me, fellow?" thunders Christopher
    Plummer, who is giving the performance of a lifetime in the title role
    of "King Lear"....

    Throughout Jonathan Miller's engrossing production of Shakespeare's
    bleakest tragedy, which opened last night, Mr. Plummer bestrides the
    boundary between being and nothingness....

    The Line,
    by S.H. Cullinane

    LEAR:

    Now you better do some thinkin'
        then you'll find
    You got the only daddy
        that'll walk the line
    .

    FOOL:

    I've always been different
        with one foot over the line....
    I've always been crazy
        but it's kept me from going insane.

    FOOL:

    174. .... Now thou art an 0 without
    175. a figure. I am better than thou art, now. I am a fool;
    176. thou art nothing....

    ".... in the last mystery of all
    the single figure of what is called the World goes joyously dancing in
    a state beyond moon and sun, and the number of the Trumps is
    done.  Save only for that which has no number and is called the
    Fool, because mankind finds it folly till it is known.  It is
    sovereign or it is nothing, and if it is nothing then man was born
    dead."

    The Greater Trumps,
    by Charles Williams, Ch. 14

    Follow-up of Friday, March 5

    From Arts & Letters Daily,
    Weekend Edition, March 6-7, 2004 --

    Some readers crave awe more than understanding, and lurid pop science is always there to feed their addiction to junk ideas... more»

    Does Shakespeare’s Lear have a spiritual dimension? “No,” insists Jonathan Miller. “That’s modern, New Age drivel...." more»

    The "more" link of the item at left above leads to an American Scientist article titled

    The Importance of
    Being Nothingness
    .

    The appearance of these two items side-by-side at Arts
    & Letters Daily, together with Brantley's remark above, is an
    example of Jungian synchronicity -- a concept that the American
    Scientist author and Jonathan Miller probably both sneer at. 
    Sneer away.

  • ZZ



    Mit Zeichen und Zahlen

    vermessen wir Himmel und Erde

    schwarz

    auf weiss

    schaffen wir neue Welten

    oder gar Universen

     

    With numbers and names
    we measure heaven and earth
    black
    on white
    we create new worlds
    and universes

     


    -- from "Zahlen und Zeichen,

      Wörter und Worte"

     

     

    "Numbers and Names,
    Wording and Words"

    by Eugen Jost


    English translation by Catherine Schelbert


    Alphabets



    From time to time we take our pen in hand
    And scribble symbols on a blank white sheet
    Their meaning is at everyone's command;
    It is a game whose rules are nice and neat.

    But if a savage or a moon-man came
    And found a page, a furrowed runic field,
    And curiously studied lines and frame:
    How strange would be the world that they revealed.
    A magic gallery of oddities.
    He would see A and B as man and beast,
    As moving tongues or arms or legs or eyes,
    Now slow, now rushing, all constraint released,
    Like prints of ravens' feet upon the snow.
    He'd hop about with them, fly to and fro,
    And see a thousand worlds of might-have-been
    Hidden within the black and frozen symbols,
    Beneath the ornate strokes, the thick and thin.
    He'd see the way love burns and anguish trembles,
    He'd wonder, laugh, shake with fear and weep
    Because beyond this cipher's cross-barred keep
    He'd see the world in all its aimless passion,
    Diminished, dwarfed, and spellbound in the symbols,
    And rigorously marching prisoner-fashion.
    He'd think: each sign all others so resembles
    That love of life and death, or lust and anguish,
    Are simply twins whom no one can distinguish ...
    Until at last the savage with a sound
    Of mortal terror lights and stirs a fire,
    Chants and beats his brow against the ground
    And consecrates the writing to his pyre.
    Perhaps before his consciousness is drowned
    In slumber there will come to him some sense
    Of how this world of magic fraudulence,
    This horror utterly behind endurance,
    Has vanished as if it had never been.
    He'll sigh, and smile, and feel all right again.


    -- Hermann Hesse (1943),
    "Buchstaben" from Das Glasperlenspiel,
    translated by Richard and Clara Winston


    See also the previous entry,
    on the dream
    of El Pato-lógico.

  • Deep Play


    In the previous entry, there was a reference to Carl Kaysen, former director of the Institute for Advanced Study at Princeton and father of Susanna Kaysen, author of Girl, Interrupted.


    A search for further information on Carl Kaysen led to



    Mark Turner, Cognitive Dimensions of Social Science: The Way We Think About Politics, Economics, Law, and Society, Oxford University Press, 2001.  For a draft of this work, click here.


    Turner's book describes thought and culture in terms of what he calls "blends."  It includes a meditation on



    Clifford Geertz, "Deep Play: Notes on the Balinese Cockfight," in Dædalus, Journal of the American Academy of Arts and Sciences, issue entitled, "Myth, Symbol, and Culture," Winter 1972, volume 101, number 1


    That Turner bases weighty ruminations of what he is pleased to call "social science" on the properties of cockfights suggests that the academic world is, in some respects, even more bizarre than the mental hospital described by Kaysen's daughter.


    Still, Turner's concept of "blends" is not without interest.


    Here is a blend based on a diagram of the fields in which Turner and Kaysen père labor:


    "politics, economics,
    law, and society" (Turner)


    and "economics, sociology,
    politics and law" (Kaysen).


    In the previous entry we abstracted from the nature of these academic pursuits, representing them simply as sets in a Venn diagram.  This led to the following religious icon, an example of a Turner "blend" --



    The Jewel
    in Venn's Lotus.


    Here is another "blend," related both to the religious material in the previous entry and to Geertz's influential essay.


    From my entry for
    St. Patrick's Day, 2003
    :


    Summa Theologica
    How can you tell there's an Irishman
    present at a cockfight?
    He enters a duck.
    How can you tell a Pole is present?
    He bets on the duck.
    How can you tell an Italian is present?
    The duck wins.


    (Source: Blanche Knott,
    Truly Tasteless Jokes)


    Illustration for the entries
    of Oct. 27, 2003:

    El Pato-lógico and a



    "dream of heaven."