Month: August 2003

  • Happy Birthday,
    Mary Shelley


    "Frank and Stein quickly realized
    they needed the big three things
    that every programming language has:
    a father;
    a name;
    and something cool."


    Sounds to me more like a religion.


    Premodern Religion...



    See Union of American Hebrew Congregations


    Modern (A.D.) religion...



    See my note
    Catholic Tastes
    of July 27, 2003. 


    Postmodern religion...



    See my note
    The Transcendent Signified
    of July 26, 2003.

  • The Shining of Park Place


    Today is the birthday of Oliver Wendell Holmes, Sr., writer, dean of Harvard Medical School, father of Supreme Court Justice Oliver Wendell Holmes, Jr., and author of at least seven hymns.


    It is also the feast day of Saint Lewis Henry Redner, author of the tune now known as "O Little Town of Bethlehem."  Redner was church organist for Phillips Brooks, who wrote the "Bethlehem" lyrics but then published the hymn under the facetious name "St. Louis," a deliberate misspelling of Redner's name.


    Redner died on August 29, 1908, at the Marlborough Hotel in Atlantic City.


    Since Holmes Sr. was both a poet and the father of a famous lawyer, a reference to poet-lawyer Wallace Stevens seems in order.



    To wit:


    "We keep coming back and coming back
     To the real: to the hotel
                       instead of the hymns...."


    -- Wallace Stevens,
       "An Ordinary Evening in New Haven"


    From Best Atlantic City Hotels:


    Bally's Park Place, located at Park Place and Boardwalk, partially stands on the site of the former Marlborough Hotel.


    For some background on the theology of hotels, see Stephen King's classic The Shining and my own note, Shining Forth.


    Let us pray that any haunting at the current Park Place and Boardwalk location is done by the blessed spirit of Saint Lewis Redner.










    Atlantic City



    Bally's
    Park Place



    Wallace
    Stevens



    Postscript of 7:11 PM --



    From an old Dave Barry column:


    "Beth thinks the casinos should offer more of what she described as 'fun' games, the type of entertainment-for-the-whole-family activities that people engage in to happily while away the hours. If Beth ran a casino, there would be a brightly lit table surrounded by high rollers in tuxedos and evening gowns, and the air would be charged with excitement as a player rolled the dice, and the crowd would lean forward, and the shout would ring out...


    'He landed on Park Place!' "










    Charles Lindbergh seems to have done
    just that.  See yesterday's entry


    Spirit


    and today's New York Times story


    Lindbergh the Family Man.



  • Feast

    of Saint Augustine







    "Frère Jacques, Cuernavaca,
     ach du lieber August."


    — John O'Hara, Hope of Heaven










    "anticipate
     the
     happiness
     of heaven"
    = "himmlisches
     Glück
     vorweg
     empfinden"

    Englisch/Deutsch Wörterbuch


    See also today's previous entries.

  • Elegance




              Sigrid Estrada

    Louise Glück, the
    U.S. poet laureate.



    Pulitzer winner Glück
    named poet laureate


    By CARL HARTMAN


    The Associated Press
    8/28/2003, 6:26 PM ET


    WASHINGTON (AP) — Louise Glück, winner of a Pulitzer Prize and a dozen other poetry awards, will be the next U.S. poet laureate....


    Asked for a sample of her work, she suggested five lines from "The Seven Ages," published in 2001:


    "Immunity to time, to change.  Sensation


    Of perfect safety, the sense of being


    Protected from what we loved


    And our intense need was
                            absorbed by the night


    And returned as sustenance."

  • Spirit


    In memory of
     Walter J. Ong, S. J.,
    professor emeritus
    at St. Louis University,
    St. Louis, Missouri


    "The Garden of Eden is behind us
    and there is no road back to innocence;
    we can only go forward."


    — Anne Morrow Lindbergh,
    Earth Shine, p. xii


      Earth Shine, p. xiii: 


    We shall not cease from exploration
    And the end of all our exploring
    Will be to arrive where we started
    And know the place for the first time.


    — T. S. Eliot, Four Quartets.

    Eliot was a native of St. Louis.


    "Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues--wild and free--that stopped at the city walls.


    In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit."


    Mark Helprin, Winter's Tale


    Book Cover,
    1954:



    "The pattern of the heavens
         and high, night air"
    Wallace Stevens,
    An Ordinary Evening in New Haven


    See also my notes of
    Monday, August 25, 2003
    (the feast day of Saint Louis,
    for whom the city is named).


    For a more Eden-like city,
    see my note of
    October 23, 2002,
    on Cuernavaca, Mexico,
    where Charles Lindbergh
    courted Anne Morrow.

  • Crystal and Dragon


    David Wade published a book called Crystal and Dragon in 1993 about the apparent opposites of structure and fluidity, order and chaos, law and freedom, and so on.


    Here is a page on these concepts as they relate to my mathematical work.

  • Words Are Events


    August 12 was the date of death of Joseph Patrick Kennedy, Jr., and the date I entered some theological remarks in a new Harvard weblog.  It turns out that August 12 was also the feast day of a new saint... Walter Jackson Ong, of St. Louis University, St. Louis, Missouri, a Jesuit institution.


    Today, August 25, is the feast day of St. Louis himself, for whom the aforementioned city and university are named.


    The New York Times states that Ong was "considered an outstanding postmodern theorist, whose ideas spawned college courses...."


    There is, of course, no such thing as a postmodern Jesuit, although James Joyce came close.


    From The Walter J. Ong Project:


    "Ong's work is often presented alongside the postmodern and deconstruction theories of Claude Levi-Strauss, Jacques Derrida, Michel Foucault, Hélène Cixous, and others. His own work in orality and literacy shows deconstruction to be unnecessary: if you consider language to be fundamentally spoken, as language originally is, it does not consist of signs, but of events. Sound, including the spoken word, is an event. It takes time. The concept of 'sign,' by contrast, derives primarily not from the world of events, but from the world of vision. A sign can be physically carried around, an event cannot: it simply happens. Words are events."







    From a commonplace book
    on the number 911:


    "We keep coming back and coming back
    To the real: to the hotel
        instead of the hymns
    That fall upon it out of the wind.
        We seek

    The poem of pure reality, untouched
    By trope or deviation,
        straight to the word,
    Straight to the transfixing object,
        to the object

    At the exactest point at which
        it is itself,
    Transfixing by being purely
        what it is,
    A view of New Haven, say,
        through the certain eye,

    The eye made clear of uncertainty,
        with the sight
    Of simple seeing, without reflection.
        We seek
    Nothing beyond reality. Within it,

    Everything, the spirit's alchemicana
    Included, the spirit that goes
        roundabout
    And through included,
        not merely the visible,

    The solid, but the movable,
        the moment,
    The coming on of feasts
         and the habits of saints,
    The pattern of the heavens
         and high, night air."

    Wallace Stevens (1879-1955)
    An Ordinary Evening in New Haven
    IX.1-18, from The Auroras of Autumn,
    Knopf, NY (1950)
    (Collected Poems, pp. 465-489)
    NY Times Obituary (8-3-1955)


    The web page where I found the Stevens quote also has the following:







    Case 9 of Hekiganroku:
    Joshu's Four Gates


    A monk asked Joshu,
    "What is Joshu?" (Chinese: Chao Chou)


    Joshu said,
    "East Gate, West Gate,
     North Gate, South Gate."


    Setcho's Verse:


    Its intention concealed,
        the question came;
    The Diamond King's eye was
        as clear as a jewel.
    There stood the gates,
        north, south, east, and west,
    But the heaviest hammer blow
        could not open them.


    Setcho (980-1052),
    Hekiganroku, 9 (Blue Cliff Records)
    (translated by Katsuki Sekida,
    Two Zen Classics, 1977, p. 172)



    See also my previous entry for today,
    "Gates to the City."

  • Gates to the City


    Today's birthday:


    On August 25, 1918, composer Leonard Bernstein was born.


    From Winter's Tale, Harcourt Brace (1983):






    Four Gates to the City


    By MARK HELPRIN


    Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues--wild and free--that stopped at the city walls.


    In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery.


    To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love. But they were not believed. It was said that a city with entryways like these could not exist, because it would be too wonderful. Those who decide such things decided that whoever had seen the map had only imagined it, and the entire matter was forgotten, treated as if it were a dream, and ignored. This, of course, freed it to live forever.


    See also



    Lenny's Gate:



    Fred Stein,
    Central Park,
    1945 


    Thanks to Sonja Klein Fine Art
     for pointing out the Stein photo.

  • Passing the Crown


    Today's New York Times Book Review vilifies author John O'Hara as a "jerk."  Earlier this week, the Times called him a "lout."  These attacks amount to a virtual crown of thorns. For commentary on these attacks by the Times (a publication generally more sympathetic to Jews than to Catholics), see


    The Crucifixion of John O'Hara.


    But there is, to use a term of Harvard philosopher Ralph Waldo Emerson, "compensation."


    Today's New York Times Magazine paints an excellent portrait of Harvard President Larry Summers.  This portrait, by author James Traub, is less than flattering.  Traub notes that Summers is "a blunt and overbearing figure," and quotes an anonymous faculty friend of Summers as saying that many on campus "just despise him. The level of the intensity of their dislike for him is just shocking."


    Traub notes that at Harvard, "Despite the protections of tenure, virtually all of Summers's critics were too afraid of him to be willing to be quoted by name."


    At Yale, however, at least one professor has dared to criticize Summers openly.


    In the Boston Globe on August 14, Alex Beam, Globe columnist, quoted Yale music professor John Halle as saying that Summers, an economist, "knows the price of everything and the value of nothing. By all accounts, he is a deeply vulgar individual...."


    These remarks suggest the following illustrations, based on today's Times Book Review and Times Magazine, of a thorny crown being thoughtfully passed to a new generation.









    Author O'Hara



    President Summers


  • Pictures of Nothing


    '"The artist delights to go back to the first chaos of the world... All is without forms and void. Some one said of his landscapes that they were pictures of nothing, and very like."


    -- William Hazlitt, 1816, on J. M. W. Turner


    "William Hazlett [sic] once described Turner's painting as 'pictures of the elements of air, earth, and water. The artist delights to go back to the first chaos of the world...All is without form and void. Some one said of his landscapes that they were pictures of nothing and very like.'   This description could equally well be applied to a Pollock, Newman, or Rothko."


    -- Sonja J. Klein, thesis, The Nature of the Sublime, September 2000


    The fifty-second A. W. Mellon series of Lectures in the Fine Arts was given last spring at the National Gallery in Washington, D.C., by Kirk Varnedoe, art historian at the Institute for Advanced Study, Princeton, New Jersey.







    The lecture series was titled


    Pictures of Nothing:
    Abstract Art since Pollock.


    The lectures, 2003:


    Why Abstract Art? ... March 30


    Survivals and Fresh Starts ... April 6


    Minimalism ... April 13


    After Minimalism ... April 27


    Satire, Irony, and Abstract Art ... May 4


    Abstract Art Now ... May 11


    Varnedoe died on Thursday, August 14, 2003,
    the day of the Great Blackout. 


    Pictures of Nothing:


    "Record-breaking crowds turned up at the National Gallery for Kirk's Mellon Lectures....


    ... the content of Kirk's talk was miraculously subtle, as he insisted that there could be no single explanation for how abstraction works, that each piece had to be understood on its own terms -- how it came to be made, what it meant then and what it has gone on to mean to viewers since.


    Dour works like


    Frank Stella's early
    gray-on-black canvases
    ...



    "Die Fahne Hoch,"
    Frank Stella,
    1959



    "Gray on Black,"
    or "Date of Death"


    seemed to open up under Kirk's touch to reveal a delicacy and complexity lost in less textured explanations."


    -- Blake Gopnik in the Washington Post,
     Aug. 15, 2003


    For another memorial to Varnedoe, see


    Fahne Hoch.


    A May 18 Washington Post article skillfully summarized Varnedoe's Mellon Lectures at the National Gallery:


    Closing the Circle on Abstract Art.


    For more on art and nihilism, see


    The Word in the Desert.