Month: October 2002

  • Bright Star

    From the website of Karey Lea Perkins:

    “The truth is that man’s capacity for symbol-mongering
    in general and language in particular is…intimately part and parcel of
    his being human, of his perceiving and knowing, of his very
    consciousness…”

    Walker Percy, The Message in the Bottle, Farrar, Strauss, and Giroux, 1975

    Today’s New York Times story
    on Richard Helms, together with my reminiscences in the entry that
    follows it below, suggest the following possibility for
    symbol-mongering:

    Compare the 16-point star of the C.I.A.

    with the classic 8-point star of Venus:

    This comparison is suggested by the Spanish word “Lucero” (the name, which means “Bright Star,” of the girl in Cuernavaca mentioned two entries down) and by the following passage from Robert A. Heinlein‘s classic novel, Glory Road:

        ”I have many names. What would you like to call me?”

        “Is one of them ‘Helen’?”

        She
    smiled like sunshine and I learned that she had dimples. She looked
    sixteen and in her first party dress. “You are very gracious. No, she’s
    not even a relative. That was many, many years ago.” Her face turned
    thoughtful. “Would you like to call me ‘Ettarre’?”

        “Is that one of your names?”

        “It
    is much like one of them, allowing for different spelling and accent.
    Or it could be ‘Esther’ just as closely. Or ‘Aster.’ Or even
    ‘Estrellita.’ ”

        ” ‘Aster,’ ” I repeated. “Star. Lucky Star!”

    The C.I.A. star above is from that organization’s own site.  The star of Venus (alias Aster, alias Ishtar) is from Symbols.com, an excellent site that has the following variations on the Bright Star theme:

    Ideogram for light Alchemical sign
    Greek “Aster” Babylonian Ishtar
    Phoenician Astarte Octagram of Venus
    Phaistos Symbol Fortress Octagram

    See also my notes The Still Point and the Wheel and Midsummer Eve’s Dream.  Both notes quote Robinson Jeffers:

    “For the essence and the end
    Of his labor is beauty…
    one beauty, the rhythm of that Wheel,
    and who can behold it is happy
    and will praise it to the people.”

    – Robinson Jeffers, “Point Pinos and Point Lobos,”
    quoted at the end of The Cosmic Code,
    by Heinz Pagels, Simon & Schuster, 1982

    Place the eightfold star in a circle, and you have the Buddhist Wheel of Life:

  • In Memoriam


    From the New York Times of Oct. 23, 2002:


    Richard M. Helms Dies at 89;
    Dashing Ex-Chief of the C.I.A.







          Associated Press

    Richard M. Helms, a former C.I.A. director, died today.

    By CHRISTOPHER MARQUIS

    WASHINGTON Oct. 23 — “Richard Helms, a former director of central intelligence who defiantly guarded some of the darkest secrets of the cold war, died today of multiple myeloma. He was 89.

    An urbane and dashing spymaster, Mr. Helms began his career with a reputation as a truthteller….”


    Needless to say, that didn’t last.  I encountered this story this afternoon, after writing the entry below this morning.  The site I described there,


    http://www.geocities.com/Athens/2740/,


    reads as though it were compiled by an intelligence officer, and may serve as a small memorial to Helms.  

  • Eleven Years Ago Today…


    On October 23, 1991, I placed in my (paper) journal various entries that would remind me of the past… of Cuernavaca, Mexico, and a girl I knew there in 1962. One of the entries dealt with a book by Arthur Koestler, The Challenge of Chance. A search for links related to that book led to the following site, which I find very interesting:


    http://www.geocities.com/Athens/2740/.


    This is a commonplace-book site, apparently a collection of readings for the end of the century and millennium. No site title or owner is indicated, but the readings are excellent. Accepting the challenge of chance, I reproduce one of the readings… The author was not writing about Cuernavaca, but may as well have been.



    From Winter’s Tale, Harcourt Brace (1983):






    Four Gates to the City


    By MARK HELPRIN


    Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues–wild and free–that stopped at the city walls.


    In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery.


    To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love. But they were not believed. It was said that a city with entryways like these could not exist, because it would be too wonderful. Those who decide such things decided that whoever had seen the map had only imagined it, and the entire matter was forgotten, treated as if it were a dream, and ignored. This, of course, freed it to live forever.

  • Introduction to
    Harmonic Analysis


    From Dr. Mac’s Cultural Calendar for Oct. 22:



    • The French actress Catherine Deneuve was born on this day in Paris in 1943….
    • The Beach Boys released the single “Good Vibrations” on this day in 1966.







    “I hear the sound of a
       gentle word


    On the wind that lifts
       her perfume
       through the air.”


    — The Beach Boys


     

    In honor of Deneuve and of George W. Mackey, author of the classic 156-page essay, “Harmonic analysis* as the exploitation of symmetry† — A historical survey” (Bulletin of the American Mathematical Society (New Series), Vol. 3, No. 1, Part 1 (July 1980), pp. 543-698), this site’s music is, for the time being, “Good Vibrations.”

     

    For more on harmonic analysis, see “Group Representations and Harmonic Analysis from Euler to Langlands,” by Anthony W. Knapp, Part I and Part II.

     

    * For “the simplest non-trivial model for harmonic analysis,” the Walsh functions, see F. Schipp et. al., Walsh Series: An Introduction to Dyadic Harmonic Analysis, Hilger, 1990. For Mackey’s “exploitation of symmetry” in this context, see my note Symmetry of Walsh Functions, and also the footnote below.

     

    † ”Now, it is no easy business defining what one means by the term conceptual…. I think we can say that the conceptual is usually expressible in terms of broad principles. A nice example of this comes in form of harmonic analysis, which is based on the idea, whose scope has been shown by George Mackey… to be immense, that many kinds of entity become easier to handle by decomposing them into components belonging to spaces invariant under specified symmetries.”

    The importance of mathematical conceptualisation,
    by David Corfield, Department of History and Philosophy of Science, University of Cambridge

  • Birthdays for a Small Planet


    Today’s birthdays:



    The entry below, “Theology for a Small Planet,” sketches an issue that society has failed to address since the fall of 1989, when it was first raised by the Harvard Divinity Bulletin.


    In honor mainly of Ursula K. Le Guin, but also of her fellow authors above, I offer Le Guin’s solution. It is not new. It has been ignored mainly because of the sort of hateful and contemptible arrogance shown by



    • executives in the tradition of Henry Ford and later Ford Foundation and Ford Motors employees McGeorge Bundy and Robert McNamara (see yesterday’s entry below for Ford himself), by
    • theologians in the tradition of the Semitic religions — Judaism, Christianity, and Islam — and by
    • self-proclaimed “shamans of scientism” like Michael Shermer in the tradition of Scientific American magazine.

    Here is an introduction to the theology that should replace the ridiculous and outdated Semitic religions.



    According to Le Guin,


    “Scholarly translators of the Tao Te Ching, as a manual for rulers, use a vocabulary that emphasizes the uniqueness of the Taoist ‘sage,’ his masculinity, his authority. This language is perpetuated, and degraded, in most popular versions. I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul. I would like that reader to see why people have loved the book for 2500 years.


    It is the most lovable of all the great religious texts, funny, keen, kind, modest, indestructibly outrageous and inexhaustibly refreshing. Of all the deep springs, this is the purest water. To me it is also the deepest spring.”

    Tao Te Ching: Chapter 6
    translated by Ursula K. Le Guin

    The valley spirit never dies
    Call it the mystery, the woman.

    The mystery,
    the Door of the Woman,
    is the root
    of earth and heaven.

    Forever this endures, forever.
    And all its uses are easy.

  • Theology for a Small Planet


    THE HARVARD DIVINITY BULLETIN for Fall 1989 contained a special section, “Theology for a Small Planet,” with a number of short articles by divinity school faculty and others addressing environment and theology.


    From The Harvard Divinity Bulletin, XIX, 3 (1989):


    While Angels Weep…
    Doing Theology on a Small Planet


    Timothy C. Weiskel
    © Copyright, 1989, Timothy C. Weiskel


    …We continue to strut and prance about with a sense of supreme self-importance as if all creation were put in place for our benefit….


    From where does such arrogance come? How can our beliefs be so far out of touch with our knowledge? How can we maintain such an inflated sense of personal, collective and species self-importance? ….


    The answer, in part, is that Western religious traditions have generated and sustained this petty arrogance…. 


    Western cultures have come to believe religiously in their own power, importance and capacity to dominate and control nature.


    Some religious groups have transcribed and elaborated creation myths which serve to ennoble and authorize this illusion of domination. In these myths a supreme and omnipotent God figure (usually portrayed as male) is said to have created humankind and enjoined this species to be “fruitful and multiply” and “subdue” the earth. Moreover, it is often a feature of these traditions that selected human groups come to feel entitled, empowered or specially ordained by such a God to be his “chosen people.” Through their actions and history, it is believed, this God allegedly manifested his intent for the planet as a whole. In short, human groups created God in their own image and generated divine narratives that accorded themselves privileged status in the whole of creation….


    …science itself has become the cornerstone of modern mankind’s religiously held belief in human control. In our era, this kind of arrogant science, like the self-important religious traditions of the past, must be questioned….


    In short, we all stand in need of a theology for a small planet.






  • ART WARS:


    Music for Henry


    HomerTheBrave has provided a link to an excellent Tom Tomorrow strip dealing with Ford’s Feb. 23, 1997, commercial-free sponsorship of “Schindler’s List” on TV.


    To honor Henry Ford, founder of Ford Motor Co. and author of

    The International Jew: The World’s Foremost Problem,


    which includes a chapter titled


    Jewish Jazz Becomes Our National Music,


    this site’s music is now Rhapsody in Blue.


    For more on art and power, see the article on Cardinal Richelieu by Deborah Weisgall in today’s New York Times.

  • What is Truth?







    My state of mind
    before reading the
    New York Times


    My state of mind
    after reading the
    New York Times


    In light of the entry below (“Mass Confusion,” Oct. 19, 2002), some further literary reflections seem called for. Since this is, after all, a personal journal, allow me some personal details…


    Yesterday I picked up some packages, delivered earlier, that included four books I had ordered. I opened these packages this morning before writing the entry below; their contents may indicate my frame of mind when I later read this morning’s New York Times story that prompted my remarks. The books are, in the order I encountered them as I opened packages,



    • Prince Ombra, by Roderick MacLeish (1982, reprinted in August 2002 as a Tom Doherty Associates Starscape paperback)
    • Truth, edited by Simon Blackburn and Keith Simmons, from the Oxford Readings in Philosophy series (Oxford University Press, 1999, reprinted as a paperback, 2000)
    • The Savage and Beautiful Country, by Alan McGlashan (1967, reprinted in a revised and expanded edition in 1988 as a Daimon Verlag paperback)
    • Abstract Harmonic Analysis, by Lynn H. Loomis (Van Nostrand, 1953… a used copy)

    Taken as a whole, this quartet of books supplies a rather powerful answer to the catechism question of Pontius Pilate, “What is truth?”…


    The answer, which I pray will some day be delivered at heaven’s gate to all who have lied in the name of religion, is, in Jack Nicholson’s classic words,


    You can’t handle the truth!  

  • Mass Confusion


    From Garrison Keillor’s Writer’s Almanac:


    “It’s the birthday of [novelist] John le Carré, born David John Moore Cornwell, in Poole, England (1931)…. His father was a con artist who wanted his two sons to be lawyers because he thought it would come in handy. He sent them to boarding school, where they learned to speak and act like members of the British upper-class, but when they went home they knew they might have to bail him out of jail, or spend the holidays with a bunch of crooks. He learned German and became a spy, but said he ‘never did anything to alter the world order.’”


    From The New York Times of Oct. 19, 2002:


    “…victims of sexually abusive priests expressed despair and outrage yesterday at the Vatican’s refusal to endorse the American bishops’ zero tolerance policy….


    ‘This certainly sends the whole thing into wild confusion,’ said Thomas C. Fox, publisher of The National Catholic Reporter, an independent newsweekly that helped uncover the church’s sexual abuse problem nearly two decades ago. ‘It seems we haven’t moved anywhere in finding a resolution, and that makes it terribly, terribly painful. It’s like this nightmare simply won’t end.’”


    Other classic Catholic quotations…


    1.  “He ain’t heavy, he’s my brother.”


    2.  “What is truth?”


    3.  “Writers often cry ‘Truth! Truth at all costs!’ Some are sincere. Others are hypocrites. They use the truth, distort it, exploit it, for an ulterior purpose. Let us consider the case of John Cornwell….”  — Inside the Vatican 

    John Cornwell recently wrote a classic study of the Roman Catholic Church, Hitler’s Pope* (Viking Press, October 1999).


    According to the Daily Catholic and to Inside the Vatican, Cornwell is the brother of of spy novelist John le Carré (born David Cornwell). An article in the Jerusalem Post, however, seems to say that the spy novelist had only one brother, whose name was in fact Tony, not John.  A Sydney Morning Herald article confirms this version of the Cornwell family history.  Finally, once one learns from the Sydney article that David Cornwell’s father’s name was Ronnie, a perfected Google search reveals a Literary Encyclopedia article that seems to demonstrate conclusively that the Roman Catholic sources cited above lied about John Cornwell’s family background.  Of course, this may be wrong… Those who wish may investigate further.


    * (I personally prefer Hitler’s own remarks on the Church’s “static pole,” but tastes differ.)

  • Readings for the Oct. 18
    Feast of St. Luke


    A fellow Xangan is undergoing a spiritual crisis. Well-meaning friends are urging upon her all sorts of advice. The following is my best effort at religious counsel, meant more for the friends than for the woman in crisis.


    Part I… Wallace Stevens 


    From Brewer’s Dictionary of Phrase and Fable:


    Ox Emblematic of St. Luke. It is one of the four figures which made up Ezekiel’s cherub (i. 10). The ox is the emblem of the priesthood….


       The dumb ox. St. Thomas Aquinas; so named by his fellow students at Cologne, on account of his dulness and taciturnity. (1224-1274.)
       Albertus said, “We call him the dumb ox, but he will give one day such a bellow as shall be heard from one end of the world to the other.” (Alban Butler.)


    From Wallace Stevens, “The Latest Freed Man“:


    It was how the sun came shining into his room:
    To be without a description of to be,
    For a moment on rising, at the edge of the bed, to be,
    To have the ant of the self changed to an ox
    With its organic boomings, to be changed
    From a doctor into an ox, before standing up,
    To know that the change and that the ox-like struggle
    Come from the strength that is the strength of the sun,
    Whether it comes directly or from the sun.
    It was how he was free. It was how his freedom came.
    It was being without description, being an ox.


    Part II… The Rosy Cross


    Readings:



    • Brautigan, Richard, The Hawkline Monster, Simon and Schuster, 1974…
      Just for the pleasure of reading it… A compelling work of fiction on spiritual matters that includes a conversion to Rosicrucianism in its concluding chapter.
    • Browning, Vivienne (Betty Coley, ed).
      My Browning Family Album. With a Foreword by Ben Travers, and a Poem by Jack Lindsay Springwood, London, 1979…
      The Rosicrucian tradition in Australia (highly relevant background reading for the 1994 film “Sirens”). Includes a mention of Aleister Crowley, dark mage, who also figures (prominently) in….
    • Wilson, Robert Anton, Masks of the Illuminati, Pocket Books, April 1981…
      James Joyce and Albert Einstein join in a metaphysical investigation.

      “He recited from the anonymous Muses Threnody of 1648:
      For we be brethren of the Rosy Cross
      We have the Mason Word and second sight
      Things for to come we can see aright.”

    Part III… Stevens Again


    A major critical work on Wallace Stevens that is not unrelated to the above three works on the Rosicrucian tradition:


    Leonora Woodman, Stanza My Stone: Wallace Stevens and the Hermetic Tradition, West Lafayette, Indiana: Purdue University Press, 1983


    From the Department of English, Purdue University:


    Leonora Woodman came to Purdue in 1976. In 1979, she became Director of Composition, a position she held until 1986…. At the time of her death in 1991, she was in the midst of an important work on modernist poetry, Literary Modernism and the Fourth Dimension: The Visionary Poetics of D.H. Lawrence, H.D., and Hart Crane.


    For more on Gnostic Christianity, see



    • Elaine Pagels, The Gnostic Gospels (Random House, 1979), and
    • Harold Bloom, Omens of Millenium: The Gnosis of Angels, Dreams, and Resurrection (Riverhead Books, 1996).